Edmund White considers writers’ obsession with New York City in the 1970s, with photography by Peter Hujar. As White puts it, that was “a place and a time in which, rich or poor, you were stuck together in the misery (and the freedom) of the place, where not even money could insulate you.”
Chris (Simpsons Artist) will be publishing a book on positivity. Check out a few scenes from it in The Guardian. He has advice for how to handle everything from depression to hair nits. For more graphic art, we review the twenty-fifth anniversary edition of Drawn and Quarterly.
Do yourself a favor and pick up a copy of Stonecutter. In the most recent issue, you’ll find our own Lydia Kiesling’s essay on cigarettes and literature; in Issue #2, you’ll find Mark O’Connell discussing Roberto Bolaño’s Between Parentheses. You read that correctly: 50% of all Stonecutter issues feature Millions staffers.
Last semester, at UC Riverside, the novelist Susan Straight began the class “Mixed-Race Literature and the American Experience” with a simple question: “How many of you are often asked, What are you?” In an essay about the class, she relates what they learned, which includes the observation that hair is weirdly important in America. (Related: The Millions published an essay by Straight on Toni Morrison’s Sula.)
“We’re both gay boys from the south, and we both write about growing up in places that deny the value and dignity of LGBTQ lives.” Garth Greenwell and Garrard Conley are headed to North Carolina! It’s not too late to catch the duo as they hit the second leg of their reading/anti-HB2 events across the Old North State.