“As everyday existence becomes more punitive for all but the monied few, more and more frustrated, volatile individuals will seek each other out online, aggravate whatever lethal fairy tale suits their pathology, and, ultimately, transfer their rage from the screen world to the real one.” Gary Indiana reviews Masha Gessen’s The Brothers: The Road to an American Tragedy for the London Review of Books.
An American Tragedy
Minister of Defense and Propaganda of the New Cinema
Recommended Reading: On the the anticriticism of Jonas Mekas, the “raving maniac of the cinema,” courtesy of The Paris Review.
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We Do Not Know Her Real Name
Today in 1773, 20-year-old Phillis Wheatley became the first published African-American author of a book of poetry. Pair with our own Ed Simon‘s case for the candidacy of her work as national epic.
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Sedaris’s Story Comes to the Big Screen
After years of rebuffing film deals and movie rights offers, David Sedaris has finally allowed one of his stories to be made into a motion picture. This month, you’ll be able to check out University of Miami alum Kyle Alvarez’s adaptation of “C.O.G.” (Child of God). You can check out a trailer over here.
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Digital Heaven
Recommended Reading: This piece on a digital afterlife — duplicating oneself via computer program — which is by turns troubling and oddly reassuring: “The human brain has about a hundred billion neurons. The connectional complexity is staggering. By some estimates, the human brain compares to the entire content of the internet. It’s only a matter of time, however, and not very much at that, before computer scientists can simulate a hundred billion neurons.”
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Writer-Collector
“I do not find it unusual that many writers I know acquire vintage clothes, buy old homes, and rescue animals. For one, we don’t have Wall Street salaries, and secondly, we’re suckers for backstory, particularly that which is left to the imagination. Our job, after all, is to make up lives, engage in epic games of pretend.” Megan Mayhew Bergman writes for Ploughshares about collecting cast-off objects, “the chaos of memories,” and becoming a writer. Pair with David L. Ulin‘s reflection on Bergman’s essay and the way we think about memory, written for the LA Times.
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