“As everyday existence becomes more punitive for all but the monied few, more and more frustrated, volatile individuals will seek each other out online, aggravate whatever lethal fairy tale suits their pathology, and, ultimately, transfer their rage from the screen world to the real one.” Gary Indiana reviews Masha Gessen’s The Brothers: The Road to an American Tragedy for the London Review of Books.
An American Tragedy
Short Story Week Links
Did you read a short story today? He did.Samantha Hunt scribbles on bar napkins.Deborah Eisenberg not only writes great stories; she also gives a great interview.A Peter Markus story – free! – at failbetter.com.A Ben Fountain story – free! – at The Barcelona Review.Bookslut chats up Elizabeth Crane.Death is dead (via Conversational Reading).
Express Reading
Short stories will now be available in vending machines — i.e., the future of literature.
Will to No Power
Freudians know that Eros and Thanatos are opposites in the human psyche. The former, the love instinct, pushes us to survive, while the latter, the death instinct, pushes us to destruction. In an essay for Bookslut, Jelena Markovic explores the importance of Thanatos in daily life, using as an example a man she knew with an “instinct for nonexistence.”
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So wait, the really rich are getting richer and richer?
There was an interesting piece on the intangible economics of fine art in this weekend’s NYT Magazine that explains the difference between the markets for art and other luxury goods (like gold and property): “Because the art market isn’t regulated like financial securities, insider dealing is generally not illegal.”
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The Craven
Ralph Waldo Emerson called him “the jingle-man.” Henry James called his work “decidedly primitive.” Yet Edgar Allan Poe, nearly two centuries after his death, is now acclaimed as a writer on par with his best contemporaries. How did his reputation evolve? In the Times Literary Supplement, Marjorie Perloff reviews a new study of Poe by Jerome McGann.
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Dalí’s Secret Word
Salvador Dalí appeared on an episode of the 1950s-1960s-era game show “What’s My Line?”. (via)
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