Recommended Reading: This moving essay for The Rumpus by Elizabeth Weinberg on depression and The National’s 2010 album High Violet. To satisfy any further musical urges, check out our Torch Ballads and Jukebox Music features section.
“I don’t divide my friendships into continental categories. I don’t think: Today I’ll have lunch with my European friend, and tomorrow I will invite my Asian friend to the park. It would be silly of me to think of the authors I read in those terms. End of topic.” The (still relatively) new Literary Hub interviews Valeria Luiselli about the literary tradition, authors’s names, magical realism and her new novel, The Story of My Teeth.
ICYMI Colin Kaepernick was named GQ‘s 2017 Citizen of the Year a few weeks ago. In light of this honor two of his closest friends “have compiled a list of ‘Freedom Dream’ resources spanning close to two centuries—including books, essays, films, documentaries, songs, and museums—that can help readers, viewers, and listeners to understand race as the central political, cultural, economic, social, and geographic organizing principle of our nation, past and present. For it is only when we acknowledge the centrality of race in dictating the outcomes of life and death in the United States can we begin to work toward meaningful forms of racial justice.” Find the books, music and movies that helped inspire Kaepernick (and that will enlighten you too) here.
“What I want to argue is that we in contemporary English and literature departments need to think instead about how to keep doing abstraction, but better—how can we ‘own’ it, as my students might say, rather than wish it away.” Jeanne-Marie Jackson writes at 3:AM Magazine about comparative literature, the public, and politics.
The Scottish poet Robert Burns’s “Address to a Haggis” might well be the most famous ode to a food product in the English canon. At The Paris Review Daily, Sadie Stein celebrates Burns’s birthday by reflecting on the poem, which starts off by describing haggis as the “chieftain of the pudding race.”
“You should feel embarrassed when what you’re reading was written for children,” Ruth Graham wrote in Slate last week, stirring the proverbial pot of new adult fans of Young Adult bestsellers like The Fault in Our Stars and Eleanor & Park. A host of YA-defenders rose up to shout her down. “You should never be embarrassed by any book you enjoy,” Hillary Kelly responds in The New Republic, unrealistically (we’re embarrassed by quite a lot). For the Washington Post, Alyssa Rosenberg cites examples of worthwhile, complex YA fiction we can certainly support: The Chronicles of Narnia, The Pushcart War, A Wrinkle in Time, and The Westing Game.