Three decades after his death, the work of Romanian writer Max Blecher remains largely unavailable in English. Ricky D’Ambrose writes for The Nation about Blecher’s work. As he puts it, “Max Blecher is an obsessive saboteur of the breach between two seemingly irreconcilable positions: revulsion and lust.”
Adventures in Surrealism
Tala Tubaris
Want to be as brilliant as Jonathan Swift? Try reading Latin for ten hours a day. As this New Statesman review of Jonathan Swift: His Life and His World makes clear, the satirist went through a backbreaking classics regimen at Kilkenny College in Ireland. (There’s also the fact that he wrote constant letters to a sickly female confidante.)
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Angie Cruz’s Working Women
Angie Cruz started an Instagram account called Dominicanas NYC to collect photos of 1960s Dominican working-class women while researching her novel Dominicana.
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Next Stop: The Perfect Book
“I don’t want to settle for distraction; I want to look forward to reading my book with the palpitating excitement of a second date with someone I’ve already fallen for. I want to miss my stop. Ideally, I’ll miss a few.” While it can be easy to spot a beach, airplane, or cabin read, Adam Sternbergh‘s writes about finding the perfect “subway read” for the New York Times. From our archives: our own Nick Ripatrazone‘s essay on reading and writing on trains.
Tuesday New Release Day: Feldman; Thornton; Akhtiorskaya; La Seur; Bloom; Harkaway
Out this week: The Angel of Losses by Stephanie Feldman; Charleston by Margaret Bradham Thornton; Panic in a Suitcase by Yelena Akhtiorskaya; The Home Place by Carrie La Seur; Lucky Us by Amy Bloom; and Tigerman by Nick Harkaway (which I wrote about for our Great 2014 Book Preview).
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Animated Russian Classics
Polish filmmaker Piotr Dumala spent three years working on his half-hour-long expressionistic adaptation of Fyodor Dostoevsky’s Crime and Punishment, and the result is a “destructive animation” that’s at once unnerving and beautiful. However in case you’re more pressed for time, you can also get your animated Russian literature fix by checking out Natalia Berezovaya and Svetlana Petrova’s two-minute-long animation for Mikhail Bulgakov’s The Master and Margarita.
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Some links
Incredible interview with the New Yorker’s Jon Lee Anderson. He tells about the time he was arrested in Guinea and accused of being a spy. Happens to journalists all the time, you say? No, this was when he was thirteen. If he ever writes a memoir, publishers will be lining up. (via Jenny)I thoroughly enjoyed Ed’s account of a near-drink with William T. Vollmann.Golden Rule Jones has a lovely new home. Be sure to update your bookmarks and feed readers.Interesting article about a promotional push by The Economist in Baltimore. A few years ago, I started hearing people talk about The Economist all the time. I wasn’t sure if the magazine was getting more popular or if I was just traveling in different circles. This quote clears it up: “Of The Economist’s worldwide circulation of just less than 1.1 million, Rossi said, North America accounts for a bit more than half, at 569,336, a figure that has increased 47.3 percent since 2001.” Wow, that’s a big jump. They deserve it. It’s a great magazine. If I had more time, I’d read every issue all the way through.
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Not All Dads Are Good Dads
Andrew Thurman writes about a literary genre he's particularly invested in: the Bad Dad Memoir, typically written by the offspring of said Bad Dads.
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