Attention Los Angeles-based readers and eaters! On Tuesday evening, June 29, 2010, Michelle Huneven and Samantha Peale will be at Canele in Atwater Village to celebrate the paperback releases of their latest novels (Blame and The American Painter, Emma Dial, respectively.) Food from the books will be served–the 3-course dinner is only $34. Skylight will be selling the books.
“Even after I realize that we are being robbed, that bullets can shatter glass, that being locked in is no help in this situation, I still feel a vague resentment at having to hand the laptop over. It’s mine. It contains my work, a week of writing, a month or more of photography, personal information. I have hesitated only a few seconds but feel as though I have just woken from a trance: briefly, I imagined myself with a bullet in my thigh, imagined myself bleeding out in traffic in Ojota.” At Granta, Teju Cole writes about living in Lagos.
Half-meme, half-myth, ‘Slender Man’ came to us from the same internet that brought LOLcat, doge, and Rule 34. After the surreal stabbing of a 12-year-old girl by two other children claiming they were acting on his behalf, this particular story has taken on a tragic resonance. In The Semiotic Review, Jeffrey Tolbert argues that Slender Man took hold because of the documentary nature of internet ‘evidence’. As one Something Awful blogger put it, “Even if we don’t really believe in [Slender Man], we are cutting him out and sewing him together. We’re stuffing him with nightmares and unspoken fears. And what happens when the pictures are no longer Photoshops?” Very meta–and very scary, all over again.
Jenn Shapland had the pleasure of cataloguing the archives of Carson McCullers, Gertrude Stein, and Sir Arthur Conan Doyle. Their possessions left her with a few lingering questions. Pair with Shapland’s piece on cataloguing David Foster Wallace’s The Pale King.
Turns out David Sedaris loves The Onion (but who doesn’t, really?). Slate asked more than 30 writers including Junot Díaz, Elif Batuman, Paul Beatty, Miranda July, and Chris Kraus to recommend their favorite funny books. Might we recommend you pair this with our own Jacob Lambert‘s comedic interpretation of Cormac McCarthy?
Kory Stamper, one of the lexicographers responsible for Merriam-Webster’s dictionary, describes the pleasures and poetry to be found in the Third Edition’s “color definitions.” Take vermillion for example, which is listed as “a variable color averaging a vivid reddish orange that is redder, darker, and slightly stronger than chrome orange, redder and darker than golden poppy, and redder and lighter than international orange.” (Related: how colors got their names; who names colors what.)