Out this week: A Good Family by Erik Fassnacht; Best Boy by Eli Gottlieb; A Window Opens by Elisabeth Egan; You Too Can Have a Body Like Mine by Alexandra Kleeman; The Fall of Princes by Robert Goolrick; and a limited edition of Neil Gaiman’s The Truth Is a Cave in the Black Mountains. For more on these and other new titles, check out our Great Second-Half 2015 Book Preview.
Read this interview with Mary H.K. Choi where she discusses her novel, Emergency Contact, and how it offers a more modern (2010s) portrayal of Asian American mother-daughter relationships. “Choi’s novel blows up Asian female stereotypes and prods readers to question their own cultural biases about women of color. For instance: Not all Asian moms are like Lane Kim’s in “Gilmore Girls.” Not all of them own antique shops or dry cleaners, care singularly about grades and won’t let their baby tiger cubs date until they’ve finished graduate school.”
HBO turned down the television adaptation of Jonathan Franzen’s The Corrections, despite an all-star crew: Franzen himself adapted the novel to television, Noah Baumbach promised to direct the series, and Ewan McGregor and Maggie Gyllenhaal were cast as leads. Novelist A-J Aronstein can now breath a sigh of relief; they won’t be filming The Corrections at anyone’s house.
“Women writers who kill themselves—are somehow perpetually on display, or even on trial. They must answer for their art and their final act against the world and their husbands and children, born and unborn,” Kevin Kanarek said in a Rumpus interview about his mother, Pamela Moore. Her 1956 novel, Chocolates For Breakfast, has just been reissued. Pair with: Alison Balaskovits’ post on VICE‘s infamous fashion editorial on the suicides of famous women writers.