New this week: The State We’re In by Ann Beattie; Who Do You Love by Jennifer Weiner; The Beautiful Bureaucrat by Helen Phillips; The Race for Paris by Meg Waite Clayton; In The Language of Miracles by Najia Hassib; Still Life Las Vegas by James Sie; and Subway Stations of the Cross by Ins Choi. For more on these and other new titles, check out our Great Second-Half 2015 Book Preview.
Amy barely speaks in the trailer for Gone Girl, but she is present in almost every frame. The first look at David Fincher’s adaptation features a creepy cover of “She” and a harried Ben Affleck as he goes from bereaved husband to suspect. The film will be in theaters on October 3, but until then, read our conversation about Gillian Flynn.
The success of international authors like Orhan Pamuk, Ma Jian, Haruki Murakami, and Tash Aw – each capable of “transcend[ing] their homelands and emerg[ing] into a planetary system where there work can acquire a universal relevance” – has caught the attention of n+1’s editors. In a lengthy piece from their last issue, they suggest that we should be less concerned with such examples of “World” or “Global Literature,” and instead focused on more diverse, politically-charged and unique international works. “Global Lit tends to accept as given the tastes of an international middlebrow audience; internationalism, by contrast, seeks to create the taste by which it is to be enjoyed,” they argue.
“First, humans domesticated the horse. Then, we invented analgesia for the horses while we got rid of God—eliminating pain while also eliminating pain’s previously greatest meaning. This made a lonely universe. We partially solved loneliness by inventing smartphones, but this also created our now endless distraction—which, fortunately, can be treated with Vyvanse.” Sasha Chapin for Hazlitt on his friend Rachel, who is living with a terminal illness.
At Jacket Copy, Carolyn Kellogg talks with Jonathan Lethem about his new novel Chronic City “I love to dwell in the space of a novel — I don’t find writing uncomfortable, it’s something I really love doing. Writing a long novel, especially, it means that I’m creating this whole other set of people that I’m interested in, and this whole other world I get to go into, and I try to stay there. I try to go every day, not just to see the word count amass, which is helpful, but because then my subconscious is kind of living there.”