Need some more Jeanette Winterson in your life? The New Statesman is here with a short story. Titled “Gnomon,” it centers on a medieval blacksmith, Stephen, who’s asked to create his town’s first mechanical clock. Sample quote: “Time is irregular. One hour is not the same length as another.”
Timekeepers
Steal Like a Gypsy
The winner of this year’s Dzanc Books/Disquiet International Literary Program Award for fiction is Sofi Stambo. Here’s a rather savage piece of hers over at Guernica Magazine.
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“Change the listeners”
“The problem with our national lit isn’t just that it’s often written from the same voice; it’s written often to the same listeners. But if you changed the listeners, you change the art.” Tobias Carroll interviews Kiese Laymon for Vol. 1 Brooklyn.
The Downside to Living with William Carlos Williams
At McSweeney’s Internet Tendency, a disgruntled Laura Jayne Martin rants about why she is tired of sharing an apartment with poet William Carlos Williams.
In Thrall of Print Mathematics
Former nytimes.com design director Khoi Vinh tries to renew his digital subscription to the paper, and it doesn’t go well: “The total customer experience here is haphazard at best, and, at worst — I hate to say this because I am still friendly with many people at the company, but in truth there’s no way around it — it’s insulting.”
A Year of Promise
Flavorwire has compiled a list of the best literary criticism of the year, ranging from Rebecca Solnit on Lolita to Elena Ferrante on literary publicity. Also check out this year’s most notable Millions pieces, from our star-studded Year in Reading to a literary reader for Lent.
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The Stanford Letters
“I’m annoyed that so many young rapists lack interest in their own motivations, or are led to believe that an absence of real psychic motive will make the crime merely an act, when really it’s the uninterested mereness of the act that makes it feel, to some victims, so criminal.” Sarah Nicole Prickett compares the many letters released following Brock Turner’s trial at n+1.
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Dragged In
Most institutions that become an essential part of a local culture build up a collection of curios over the years. They collect as much evidence as they can of their proximity to major events. At the New York Public Library, for example, you can find a letter opener whose handle is made from the paw of Charles Dickens’s dead cat. (h/t The Paris Review Daily)
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