In Bogotá, Colombia, a garbage collector by the name of Jose Gutierrez has been working tirelessly to rescue thrown-away children’s books for use in his homemade community library. If this doesn’t immediately call to mind Bohumil Hrabal’s classic Too Loud a Solitude, then it might be time for a re-read. Also, check out this Millions essay by John Yargo on Hrabal’s rambling fiction.
It’s a source of hair-pulling anxiety for artists of all kinds: how can you hold down a day job yet commit yourself to your art? It’s undoubtedly possible, but it’s daunting enough that apprentice writers often need advice on how to do it. Herewith, six artists (including writers Catherine Lacey and Shane Jones) explain how they pull it off. Related: Cathy Day on making a living as a writer.
W.H. Auden lived a secret life, not as a man with a second family or an illicit habit but as, weirdly enough, a genuinely kind human being. He paid for a friend’s costly operation and camped outside the apartment of a woman who suffered from night terrors until she felt safe enough to sleep on her own again. So why did the poet want to hide his good deeds? He claimed he didn’t want to be admired for basic decency.