Few people have heard of Iceberg Slim, but that doesn’t mean he hasn’t been important. His autobiography, published in 1967, tells the story of his life as a pimp, and one of his novels, Trick Baby, was made into a 1972 movie. He’s been called “the Mark Twain of hip-hop.” At Salon, Scott Timberg talks with Justin Gifford, the author of a new biography of Slim.
HBO turned down the television adaptation of Jonathan Franzen’s The Corrections, despite an all-star crew: Franzen himself adapted the novel to television, Noah Baumbach promised to direct the series, and Ewan McGregor and Maggie Gyllenhaal were cast as leads. Novelist A-J Aronstein can now breath a sigh of relief; they won’t be filming The Corrections at anyone’s house.
“That’s always been part of my goal — to show the dark side of women. Men write about bad men all the time, and they’re called antiheroes. … What I read and what I go to the movies for is not to find a best friend, not to find inspirations, not necessarily for a hero’s journey. It’s to be involved with characters that are maybe incredibly different from me, that may be incredibly bad but that feel authentic.” Gillian Flynn and Cheryl Strayed talk with The New York Times about the adaptations for Gone Girl, Wild, and writing credible characters. Their conversation pairs well with our own Edan Lepucki‘s essay on likability in fiction.
New releases this week include The Wicked Girls by Alex Marwood, a limited edition of Stephen King’s illustrated poem The Dark Man and The Sound of Things Falling by Juan Gabriel Vásquez, which we covered as part of our Great Second-Half 2013 Book Preview. Now available in paperback is Alice Munro’s Dear Life.