What is the price of diversity? Colleen Muir asks this question at The Rumpus in relation to the hefty cost of writers’ conferences. A piece of her essay: “I’m not claiming that Breadloaf [sic] lacks for talent, or that its writers don’t have interesting things to say. But it certainly lacks for diversity in at least one significant way, because most attendees share a privileged experience of the world.” Pair with Gail Gauthier’s essay on working in the kitchen crew at Bread Loaf.
In the Times Book Review, Year in Reading alum and Edinburgh author Alexander Chee reviews Everything I Never Told You by Celeste Ng, a Millions contributor. He describes the book as, among other things, a departure from your average literary thriller: “If we know this story, we haven’t seen it yet in American fiction, not until now.”
“It’s possible that when it comes to books, we have overestimated the means of delivery and have underestimated the importance of the content conveyed in the media.” A recent study demonstrated that preschoolers demonstrated the same level of reading comprehension regardless of whether the story they were, ahem, consuming came in digital or analog form, reports MOBY Lives. For more on the print vs. screen debate, see Alix Christie on the persistence of physical books; and of course it would be criminal not to mention our own founder C. Max Magee‘s killer compilation The Late American Novel: Writers on the Future of Books.
You may have heard (via this site or elsewhere) that Harold Bloom has a new book out. In the Times Sunday Book Review, Cynthia Ozick gives her take, identifying the critic’s use of the phrase “without precedent” as key to understanding his theory. You could also read Matt Hanson on Bloom’s classic The Anatomy of Influence.