What is the price of diversity? Colleen Muir asks this question at The Rumpus in relation to the hefty cost of writers’ conferences. A piece of her essay: “I’m not claiming that Breadloaf [sic] lacks for talent, or that its writers don’t have interesting things to say. But it certainly lacks for diversity in at least one significant way, because most attendees share a privileged experience of the world.” Pair with Gail Gauthier’s essay on working in the kitchen crew at Bread Loaf.
Walter White is the new Walt Whitman. "Both are intellectual pioneers in their fields, their legacies—centuries apart—demanding risk, casting them outside of society, gliding out into the world, liberated from societal constraints," Kera Bolonik writes about Whitman's influence on Breaking Bad.
"It has been said of the Beatles that there is not a clunker of a song in their oeuvre because they simply never let the bad stuff get released. The same might be said of Nabokov—for 'Camera Obscura' shows that he was indeed capable of writing a second-rate novel. (He knew it, and rewrote it.)" John Colapinto looks at Nabokov's retranslation of Laughter in the Dark for The New Yorker.
"What’s emerging from these studies isn’t just a theory of language or of metaphor. It’s a nascent theory of consciousness." Michael Chorost writes about the importance of metaphors in literature and the brain.
“But every time I sat down in my desk, my heart raced. I forgot the words, my sentences sounded wordy, unnecessary, ugly.” Our own Bruna Dantas Lobato writes about anxiety and writer’s block for Ploughshares. Pair with her Staff Pick for The Millions, Juan Goytisolo’s Count Julian.