“My process for writing is the same, regardless of form: I abandon my children, I become a horrible husband, and a half-assed teacher. That’s what it all has in common.” Adam Johnson interviewed for Tin House in conjunction with the release of his new collection of short stories, Fortune Smiles.
"The concept that being American means, by definition, having an ideal that you’ve failed to live up to—that’s another crucial thing I learned from [James Alan] McPherson. It is not a rejection of America for Michelle Obama to note that her daughters are growing up in a house built by slaves. Or a rejection of a white writer to point out that Fitzgerald was a racist. Instead, it is American to admit those facts and to find in that admission a way forward." On American values, Barack Obama, and the legacy of James Alan McPherson over at The Literary Hub.
This past week GOOD laid off most of their editorial staff, including former Executive Editor and creator of the #realtalk From Your Editor tumblog Ann Friedman. Posting some extra #realtalk on her blog yesterday, Friedman announced that the band of former GOOD editors are looking for work and also launching their own magazine: Tomorrow.
Journalist and author Simon Winchester highlights five books "that shed light on the social history of his adopted homeland, from the late 19th century to the Great Depression." We're pleased to see Millions Hall-of-Famer Stoner make the cut.
The 87th annual California Book Awards, which "recognizes the state’s best writers and illuminate the wealth and diversity of literature written in California," announced this year's finalists. The nominees include Rachel Khong's Goodbye, Vitamin, Viet Thanh Nguyen's The Refugees, and Zinzi Clemmons's What We Lose (here's the full list). From our archives: The Millions' interview with Khong.