“My process for writing is the same, regardless of form: I abandon my children, I become a horrible husband, and a half-assed teacher. That’s what it all has in common.” Adam Johnson interviewed for Tin House in conjunction with the release of his new collection of short stories, Fortune Smiles.
Over at the Masters Review, Marjorie Sandor writes about the uncanny in literature and film, the origins of the word, and psychology. “Uncanny. Look it up in a standard collegiate dictionary, and you’ll get a brief, unhelpful definition. Seemingly supernatural. Mysterious. [orig. Sc & N. Engl.]. But the slippage has already begun. Seemingly.”
The New Inquiry‘s updated site launched over the weekend, and it’s currently undergoing a live beta test. They’ve also just unveiled a bumper crop of new bloggers. One of the site’s interesting features is that all of its content is available for sharing and remixing under a creative commons license.
We’ve linked to infographics about the life cycle of translated books, but that doesn’t cover the difficulties inherent in translation itself. The New Yorker‘s latest Out Loud podcast tackles this subject as Adam Gopnik talks with Ann Goldstein and Sasha Weiss about priorities in translation and how we identify with the languages we use.
We’d like to introduce you all to our new intern, Ujala Sehgal, who beat out 50+ other applicants for the position. Ujala lives in Manhattan and recently left a nascent career in corporate law to travel and focus on her writing. Her first full-length piece, about negotiating one’s limitations as a reader and writer, has been published today. Welcome Ujala!
“This is what set Geeshie and Elvie apart even from the rest of an innermost group of phantom geniuses of the ’20s and ’30s. Their myth was they didn’t have anything you could so much as hang a myth on.” John Jeremiah Sullivan investigates more mysterious musicians in The New York Times Magazine. Bonus: You can listen to their music as you read. For more of Sullivan’s music journalism, read his piece on the origins of ska.
Carolyn Kellogg rounded up a great list of “Terrible Beach Reads,” and it serves as a nice companion to Rachel Meier’s list of “Burnt-out Summer Reads.” However, if you’re looking for a few more titles that’ll keep you out of the water, allow me to suggest my all-time favorite shark-centric books: Susan Casey’s The Devil’s Teeth, Michael Capuzzo’s Close to Shore, and Doug Stanton’s In Harm’s Way.