Alexander Chee invites Ann Beattie, Matt Bell, and five other writers to reflect on the usage of the present tense, “the current preferred mode of the self-taught writer.” Pair with our own Michael Bourne’s essay on grammar and Anthony Doerr.
Do you live in Miami-Dade County? Do you want to get involved in the region’s burgeoning literature and poetry scene? If so you’ll want to check out the O, Miami Information Session on Wednesday, February 27th. The meeting is meant “to inform local Miami poets of different opportunities for participating in the 2013 O, Miami Poetry Festival.”
Science now confirms what’s long been suspected by people related to theater kids: “the quality of a performance does not drive the amount of applause an audience gives.”
Over at Ploughshares, Daniel Peña traces a parallel between Maggie Nelson’s The Argonauts and Gloria Anzaldúa’s hybrid text Borderlands/La Frontera: The New Mestiza. As he puts it, “To separate Anzaldúa from the larger canon (and subsequently from those books she influenced) is to ignore her contribution to American literature. It’s to say she doesn’t belong in that kind of highbrow conversation, which she so obviously does—even Nelson acknowledges that she does.”