Alexander Chee invites Ann Beattie, Matt Bell, and five other writers to reflect on the usage of the present tense, “the current preferred mode of the self-taught writer.” Pair with our own Michael Bourne’s essay on grammar and Anthony Doerr.
By happy accident, the third issue of Brooklyn-based lit mag Armchair/Shotgun (which uses an anonymous submissions system) is composed entirely of female writers. Issues are available for online purchase. EDIT: Following our update, the publication put out a notice on how the “all-female-writers issue” issue came to be.
A moving tribute to Ray Bradbury on The Paris Review Daily from his one time fact checker Stephen Andrew Hiltner: “Ray Bradbury, who never went to college and was entirely library educated, had what so many of the sophisticated, MFA-carrying writers today lack: passion, vitality, emotional awareness.” Also: Wired has collected a bunch of reminiscences from science fiction writers, including Ursula K. Le Guin.
The internet’s repository of Franz Kafka-inspired literary treats seems to have no bounds. This latest: his excellent short story “The Country Doctor” has been adapted by Japanese filmmaker Kōji Yamamura into a 20-minute animated film (subtitled). Kafka adaptations clearly aren’t going anywhere. Pair with our essay on the subtle art of rereading his most famous story.
Killing off your characters is never an easy feat. At The New York Times, thriller writer Alex Berenson discusses his reservations on killing the hero of his spy series. “John Wells has markedly enriched my life — an impressive feat for a man who doesn’t exist.” The eighth installment, The Counterfeit Agent, just came out.
Russian movie producer Svetlana Migunova-Dali is working with U.S. producer Grace Loh, who produced Hot Tub Time Machine, to adapt Mikhail Bulgakov’s The Master and Margarita for the big screen. They say they’re working with a feature film budget of up to $100 million, and they want A-list actors to fill out the cast.