Recommended Reading/Listening: Maia Evrona’s translation and recitation of a poem by Abraham Sutzkever, who has been called one of the primary poets of the Holocaust. Gabriel Brownstein’s essay for The Millions on what it means to be a “Jewish writer” is a good complementary piece.
The Alphabet of Silence
Story from Lucia Berlin
Recommended Reading: “The Musical Vanity Boxes” by Lucia Berlin at Electric Literature.
Poets Ride Free
One Siberian city is offering free subway rides to passengers who can recite “at least two verses from any poem by Alexander Pushkin.” The obvious corollary would be NJ Transit providing free service to passengers capable of singing “Born to Run” in its entirety.
Mark Baumer Killed on Cross-Country Protest Walk
This week poet Mark Baumer was struck and killed by an SUV while walking barefoot across the country. Baumer, 33, began his cross-country walk to raise awareness about climate change, and was documenting the journey on his blog (as well as Instagram and YouTube). Florida, where he was killed, was recently ranked “the most dangerous place for pedestrians” in the United States.
●
●
Live Like Philip Roth, Literally
Philip Roth's New York City apartment is now for sale, and with its choice location and its floor-to-ceiling bookshelves, we doubt it will be available for very long.
●
●
●
Tuesday New Release Day: Danielewski; Enright; Shepard; Gibson; Lutz; Novic; Greenfeld; Gessen
Out this week: The Familiar, Volume 1 by Mark Z. Danielewski; The Green Road by Anne Enright; The Book of Aron by Jim Shepard; The Edge Becomes The Center by DW Gibson; The Daemon Knows by Harold Bloom; How to Start a Fire by Lisa Lutz; Girl at War by Sara Novic; The Subprimes by Karl Taro Greenfeld; and City by City, an essay collection edited by Keith Gessen and Stephen Squibb. For more on these books and other new titles, go read our Great 2015 Book Preview.
●
●
War and Sociology
What can we learn about Leo Tolstoy by reading the German sociologist Max Weber? Let Jeremy Klemin from 3:AM Magazine explain. While we’re on Tolstoy, here’s a complementary piece that asks the age old question–who’s better: Tolstoy or Dostoyevsky?
●
●
From Wharton to Woolf
Did Virginia Woolf learn a bit of her modernism from Edith Wharton? John Colapinto argues so in The New Yorker, pointing out that the famous middle section of To the Lighthouse seems to mirror the innovative end of The Age of Innocence.
●
●