Infographic of the Week: Electric Lit presents the 69 Rules of Punctuation in one color-coded, aesthetically-pleasing chart.
“I just didn’t see the textual evidence for it. If Mark Twain wanted to make somebody black, he would make them black. He was not shy about dealing with matters of race.” For The New Yorker, Mythili G. Rao on the complicated backstory to the upcoming publication of The Purloining of Prince Oleomargarine, a “new” children’s book by Mark Twain. See also: our consideration of Twain’s self-deprecating travelogue The Innocents Abroad.
Andrew Marantz reviews R. Kelly’s “breezy” and “revealing” memoir, Soulacoaster: The Diary of Me, for The New Yorker’s book blog, Page-Turner. This might be what they meant when they said they were “rebooting” the Book Bench. (Related: hear Gary Oldman read some passages from the book.)
To Kill a Mockingbird is a timeless book, but until now it’s only been in the dated medium of print. However, Harper Lee announced that she is allowing her novel to become an ebook and digital audiobook. “I’m still old-fashioned. I love dusty old books and libraries. I am amazed and humbled that Mockingbird has survived this long. This is Mockingbird for a new generation.”
In a New York Times op-ed piece on violence in children’s literature, Maria Tatar claims that “the savagery we offer children today is more unforgiving than it once was.” Is that really the case? Adam Gidwitz‘s A Tale Dark And Grimm (reviewed by the Times last November), which underscores the violence inherent in Grimm’s tales, can be read as a counterpoint.