Lots of writers have stories about creative writing classes that changed their lives. The remembrance of the pivotal class is a mini-genre in itself. At The Rumpus, Warren Adler writes about his own life-changing experience, looking back on a class he took at the New School all the way back in 1949.
What drives the Year in Reading alum and Boy, Snow, Bird author Helen Oyeyemi? If we can believe her interview with The Globe and Mail, it isn’t just the enjoyment she derives from writing fiction. When asked why she wrote her new book, she said: “A few reasons, but mainly to see if I could...at this point, it’s perversity that keeps me writing.”
What if Hamlet were a punk who skateboarded over Ophelia? At The Toast, Mallory Ortberg imagines Shakespeare's Hamlet with a teenage dirtbag cast complete with hilarious illustrations by Matt Lubchansky. "im going to the cemetery to touch skulls." We hope this becomes a regular series.
Nobody wants to be a Hufflepuff! Over at The Atlantic, David Sims defends the oft-maligned Harry Potter house for their egalitarian ethos and general goodness. At The Millions, Michelle Dean’s essay about the value of J.K. Rowling’s Potter series will have you wanting to give them a re-read.
"What makes a word 'real'?" Should groan-inducing words like "adorkable" be counted? Anne Curzan, language historian, gives a Ted talk about the human element in dictionaries and the importance of slang.