When did romance novels get such a bad rep? They weren’t always derided as somehow lesser than other books. At Jezebel, Kelly Faircloth delves into the history of the modern romance novel, exploring how particular stereotypes latched on to the popular genre. You could also read Julia Fierro on sex and the literary writer.
Out this week: Per Petterson’s latest to hit American shores is I Curse the River of Time. Also newly released is Mona Simpson’s My Hollywood. Mary Roach has another work of quirky non-fiction out, Packing for Mars: The Curious Science of Life in the Void. Young readers can now get their hands on the seventh book in the Artemis Fowl series, The Atlantis Complex. And grammar mavens have a new edition of the Chicago Manual of Style to add to their reference shelf.
“Calvin and Hobbes is certainly not a text about queerness, yet when I returned to it at this altered point in my life, the strip suddenly seemed to describe things that resonated with me now: what it was like to live in a world where expressing your realest self is so often penalized, and the value of finding a second family, a close friend or friends, if your blood family fails to understand or accept the truest version of you.” Gabrielle Bellot at The Literary Hub explains why Calvin and Hobbes is great literature.
“In publishing, we see this play out in a number of ways. Marginalized writers are told by white editors, we need your stories now more than ever, as if we have not always needed them urgently. We are told our experiences are timely, exotic, and trendy. We are told our stories are not authentic if our characters do not suffer, as if the only way to prove that we are human is to bleed.” Natalia Sylvester on the erasure that comes when marginalized writers are constantly being told by the publishing industry and others that your book about your marginalized identity is ‘timely’.
Don’t expect to hear from Alan Moore anytime soon. He is withdrawing from public life after accusations that his comics include racist characters and too much sexual violence toward women according to an interview with Pádraig Ó Méalóid. He also took the opportunity to disparage society’s obsession with superheroes, which probably won’t win him any more fans. “To my mind, this embracing of what were unambiguously children’s characters at their mid-20th century inception seems to indicate a retreat from the admittedly overwhelming complexities of modern existence.”
The Amherst College Archives have discovered what could be the second photograph in existence of Emily Dickinson.