It’s high time we acknowledge the mastery of the short story by some really fantastic American women. At LitHub, Bridget Read makes a compelling case for such writers as Lucia Berlin and Jamaica Kincaid as veritable dons of the genre. This piece pairs nicely with a recent Millions essay by Adam Boffa on terseness, Twitter, and Lydia Davis.
Casting for Josh Boone’s movie adaptation of John Green’s The Fault In Our Stars is coming together nicely. This past week, it was announced that Laura Dern has joined the cast as the mother of Hazel Grace Lancaster (Shailene Woodley). Production is set to begin next month. A few months back, our own Janet Potter wrote that, “besides a small infinity of other things, [this book] will make you cry.”
The 500 Hats of Bartholomew Cubbins was more than just a Dr. Seuss book but a reality for the writer. Seuss was as fond of hats as he was rhyming and now part of his chapeau collection will be touring the U.S. 26 of his hats will stop in Atlanta, New Orleans, South Lake Tahoe, Tampa, Midlothian, and Northampton. For more Seuss, read our essay on censorship of The Lorax.
It’s been a year since Nobel laureate and Irish poet Seamus Heaney passed away. His publishers are releasing a final collection of his poetry in November. In The Irish Independent, a brief retrospective on Heaney’s legacy, which includes his wife’s unique way of expressing her gratitude to his friends. You could also read Trent Morris’s tribute to Heaney for The Millions.
Momina Mela writes on the gendered misconceptions about confessional poetry. As she puts it, “In comparison to female confessional poets, male confessional poetry has been regarded with less ridicule as accusations of being merely therapeutic. This is often due to the detachment which occurs with the adoption of personas, even though female poets such as Anne Sexton, Sylvia Plath and even Sharon Olds integrate the use of personas in their work as well.” Also check out this Millions essay on the poetry of mental unhealth.
Sasha Dugdale believes that Ted Hughes’s greatest contribution to the world of poetry remains Modern Poetry in Translation, the magazine which got its start thanks to an off-hand suggestion by Hughes at a cocktail party in the mid-sixties. Here’s our review of Jonathan Bate’s recent take on the poet, Ted Hughes: The Unauthorized Life.
In the latest issue of the LRB, Jenny Diski comes to the defense of Liz Jones, a Daily Mail columnist and spiritual sibling to the far-too-beautiful-to-live Samantha Brick. Her takeaway after reading a column that got Jones into hot water? Diski “couldn’t see” what the pilloried writer had done wrong.