It’s high time we acknowledge the mastery of the short story by some really fantastic American women. At LitHub, Bridget Read makes a compelling case for such writers as Lucia Berlin and Jamaica Kincaid as veritable dons of the genre. This piece pairs nicely with a recent Millions essay by Adam Boffa on terseness, Twitter, and Lydia Davis.
Queens of the Short Story
Building the Library of Utopia
Google ran into a wall of litigation when it tried to create a public digital archive of every book in the world. Now a team of academics is taking on the challenge. Nicholas Carr examines whether Robert Darton and Harvard’s Berkman Center for Internet and Society can succeed where Silicon Valley failed. Also be sure to check out our review of Nicholas Carr's The Shallows: What the Internet is Doing to Our Brains.
(Not) A Restaurant Review
The Morning News is asking writers to visit restaurants and then write about the experience, so long as the piece they write adheres to two criteria: “1) it is a restaurant review” and “2) it is not a restaurant review.” First on deck: Roxane Gay, whose novel Untamed State was recently reviewed for our site.
Book World
"These days...the brick-and-mortar bookstores that are still standing have a loyal following."
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Lay Down Your Arms
Growing up, I was always taught that chickens lay eggs and people lie down. Since then, I’ve always been irritated by that verb’s misuse. But maybe it’s time to settle down and relax. Maybe, as Kathryn D. Blanchard argues, it’s time to stop “clinging to values that no longer serve their purposes.”
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Publishing Industry Rebounds
Time to quit moaning and groaning, publishing industry insiders: a survey released today by Bookstats shows publishers brought in 5.6% more revenue and sold 4.1% more books in 2010 than in 2008, according to the New York Times.
Elena Ferrante’s Writing Process, Translated
"Patriarchal domination, even — despite appearances — in the West, is still very entrenched, and each of us, in the most diverse places, in the most varied forms, suffers the humiliation of being a silent victim or a fearful accomplice or a reluctant rebel or even a diligent accuser of victims rather than of the rapists. Paradoxically, I don’t feel that there are great differences between the women of the Neapolitan neighborhood whose story I told and Hollywood actresses or the educated, refined women who work at the highest levels of our socioeconomic system. " In a rare interview, Elena Ferrante discuses the #meToo movement, Naples and her writing process for the Neapolitan novels in a rare interview translated from the original French.