It’s high time we acknowledge the mastery of the short story by some really fantastic American women. At LitHub, Bridget Read makes a compelling case for such writers as Lucia Berlin and Jamaica Kincaid as veritable dons of the genre. This piece pairs nicely with a recent Millions essay by Adam Boffa on terseness, Twitter, and Lydia Davis.
Queens of the Short Story
a small, diamond-like space
Rachel Syme set out to cover the failure of Dawn Powell’s diaries to sell at auction for the New Yorker and came away with a tender meditation on obsession, New York, and the business of biography.
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Susan Orlean in Los Angeles
New Yorker staff writer Susan Orlean sits down with L.A. Times Jacket Copy to talk about her new book Rin Tin Tin: The Life and the Legend. Orlean also discusses her dogs and her family’s recent move to Los Angeles.
The School of Life
“There is something ersatz, if not quite fraudulent, about [Alain] de Botton’s entire intellectual enterprise.” At The Los Angeles Review of Books, Lisa Levy throws down the gauntlet.
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Pete Campbell is Mr. Darcy
This summer, the Guthrie Theater in Minneapolis will put on a stage production of Jane Austen’s Pride and Prejudice. As they always say: it’s all fun and games until you cast Vincent Kartheiser as Mr. Darcy.
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Is there a rising star among you?
The Ashmead Award is presently accepting nominations, so if you know an exceptional young editor it may be time to break out the letterhead.
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Thoroughly Modern Dilemmas
How many writers actually know how a word processor functions? Chances are the answer is: not many. At Page-Turner, our own Mark O’Connell examines this odd state of affairs, which he became more cognizant of after reading Vikram Chandra’s new book, Geek Sublime.
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