"As young writers in Balzac walk around Paris pitching historical novels with titles like The Archer of Charles IX, in imitation of Walter Scott, today an aspiring novelist might seek his subject matter in a neglected corner or along some new frontier of neurology." Marco Roth questions the rise of the "neuronovel" at n+1.
At the Paris Review Daily, Nick Antosca reminisces on reading Lolita at 12: “Who among my seventh-grade classmates, I wondered with a frisson, was such a creature? What girl had that ‘soul-shattering, insidious charm’ that, while invisible to me, made the antennae of certain adult males tremble?”
In the world of selling books, it's not all about the sentences. At Ploughshares, agent Eric Nelson argues: A fresh plot matters and unusual characters do, too. "The most interesting books have characters who do the opposite of what we’d do... Imagine Hamlet, if Hamlet took decisive action. Horror movies wouldn’t exist at all without the idiot who always suggests they split up."
"Every streetlight is a slightly different hue/of white the squares like the blank faces of robots/offer the Hondas and Toyotas idling in the lot something/like hope and yet I am thinking of all of the people on the planes/landing and taking off the twin miracles of arrival and departure/each of them singing 'Take Me With You' whether they know/the song or not they are all singing". A poem written by Dean Rader on the day of Prince's death.