“Now the lattice that connects us is digitally immediate we travel all the more, but we’ve lost this thrill of adventure. It’s oddly touching to read a novel where journeys are so inherently exciting, and it makes the book both consummately funny and poignantly elegiac.” On the novel Changing Places by David Lodge.
David Mitchell, when questioned about his language and genre experiments, particularly in Cloud Atlas and The Thousand Autumns of Jacob de Zoet, responds: “It’s a bit like asking a duck billed platypus if it should be considered a mammal or a bird.” The Millions also profiled Mitchell, though we never settled either way on the bird/mammal issue.
The Smithsonian has a good reminder about the links between design and history, about how time can seemingly erode the politics behind an aesthetic movement, about the relationships between images and texts, about how Italian futurism may still look cool but came from a group of sexist and at least partially fascist men.
Journalist and author Simon Winchester highlights five books “that shed light on the social history of his adopted homeland, from the late 19th century to the Great Depression.” We’re pleased to see Millions Hall-of-Famer Stoner make the cut.
Haven’t heard of Teffi? You can blame that one on the Bolsheviks. The early-20th-century Russian poet, playwright and journalist, whose fans included (oddly enough) both Vladimir Lenin and Tsar Nikolai, had to flee a Moscow in turmoil to avoid persecution as a dissident. Now, several publishers are reprinting her memoir of exile, for which The New Statesman has details and a short biography.