Rebecca Schuman argues in an essay for Slate that extraordinarily long course syllabi are killing the college classroom. If it’s academic homicide you’re after, you might also want to check out Cathy Day’s piece for The Millions in which she suggests that academia might just be killing the novel, too.
Jill Abramson, fired last week from her post as New York Times executive editor, broke her silence today with her commencement address at Wake Forest. “I’m talking to anyone who has been dumped,” she said. “Not gotten the job you really wanted or received those horrible rejection letters from grad school. You know, the sting of losing, or not getting something you badly want. When that happens, show what you are made of.” Video here.
"An easel stood just inside the big glass doorway when I entered the store. On it leaned my author photo, the one from the back cover of Domestic Violets, and it was fucking enormous. It was the size of a photo you’d expect to see if Bono had been appearing at Barnes & Noble, Bill Clinton maybe, or perhaps the Reverend Desmund Tutu. For a full 30 seconds I stood there and looked at the gigantic, painstakingly airbrushed picture of myself. An elderly couple walked in and did a double take when they saw a stunned-looking me looking at me. 'It’s too big,' I told them." This is what you do when no one shows up to your reading.
Anna Holmes takes a good look at Hunger Games Tweets, the Tumblr dedicated to rounding up the astonishing number of racist and culturally careless fans of Suzanne Collins' books. Later on, she mentions a University of Wisconsin study which found that "only 9% of the 3,400 children’s books published [in 2010] contained significant cultural or ethnic diversity."
Ad-driven e-books may be something we'll all have to deal with in the future. At the Melville House blog, Dustin Kurtz explains why ads that pop up while a person is reading might well be an inevitable development. (If you’re like me, your reaction to this is simple: ugh.)
Nollywood is the name given to Nigeria's $500 million movie business. For about the same amount of money that was spent on the promotion and production of James Cameron's Avatar, Nollywood is able to churn out a thousand films each year, trailing only Bollywood and Hollywood in terms of revenue.