This week in infographics: Epic Reads has created a Book Nerd’s Guide to New York City, complete with books set in the city, bookstores, reading spots, and authors who call the city home. Pair with The Millions’s walking tour of New York’s independent bookstores.
When Adrienne Raphel got to the Iowa Writers’ Workshop, she found a group of writers as addicted to fonts as she was. Over time, a “font subculture” developed among the poets, who settled on particular fonts as their signatures, at least for a while. At The Paris Review Daily, she writes about her typographic bent. Pair with our own Garth Risk Hallberg on the use of fonts in publishing.
“You’ll engage with your advisor in a free-form dialogue about essential skills such as plotting your next career, pacing your financial ruin, structuring TV binge-watching during optimal writing hours, and characterizing all of this as ‘learning how to fail.'” Hey, this new low-competency MFA from the fictitious Half Mast College sounds pretty great. Here’s our own Hannah Gersen on why she has foregone the MFA route entirely.
Over at The Review Review, Chuck Augello provides a useful guide for writers trying to determine where they should submit their work. He covers several aspects of the process: Identifying Potential Markets, Circulation, Evaluating the Journal, Evaluation Criteria, and Simultaneous Submissions. None are more important than the last, though: Do the Work.
“For a man who is making his living as a critic to write about Scott Fitzgerald without mentioning The Great Gatsby just means that he doesn’t know his business. Many people consider The Great Gatsby one of the few classic American novels. I do myself. Obviously such a judgment is debatable.” The New Republic digs up a tribute by John Dos Passos.