Who better to review a new sci-fi book than Ursula Le Guin? The Guardian editors couldn’t think of a better candidate either. She reviewed the new story collection Three Moments of an Explosion by the English writer China Miéville. Sample quote: “Pastiche, when present, is so skilful that it can go unnoticed.” You could also read our own Bill Morris on discovering Miéville’s work.
Moment Four
Virtual Fictitious Reality
“In his column, Manjoo goes on to call out virtual reality for being ‘a lonely, anti-social affair’—but, hey, isn’t that what reading a novel used to be? I mean, before we figured out how to make books ping and arouse competitive instincts by flagging favorite passages of readers who got there before we did. (I don’t mean to harp on Farhad Manjoo or to denigrate his excellent work; his reticence is shared by others in both legacy and new media cautioning against VR.)” It looks like VR is in desperate need of good storytellers.
The Times on Boo
Upon the release of Behind the Beautiful Forevers, the Times profiles the spotlight-shy Katherine Boo, “Unlike many journalists Katherine Boo aspires to invisibility.”
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The Moralist With the Dragon Tattoo
Tim Parks takes Stieg Larsson seriously – sort of – in the NYRB.
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From Whence the Twain?
What inspired Samuel Clemens to change his name to Mark Twain? Was it a Mississippi riverboat captain? Did he earn it by “drinking at a one-bit saloon in Virginia City, Nevada?” Or, as rare book dealer Kevin Mac Donnell now alleges in the new issue of Mark Twain Journal, did the author find his pseudonym in a popular humor journal?
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Not Enough
“Oh, speaking of dust, I am pretty sure I have a dust allergy. A debilitating, truly severe dust allergy. But I can’t dust this place, because I have to leave everything as it was that fateful day, untouched, preserved, still, because I am crazy and should be on disability. Also, between us, you see this place? It has like 30 rooms. I mean, who can clean that?” Miss Havisham (of Great Expectations) has issues with the denial of her disability claim.
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Battle of Editors
When a novel is printed in multiple countries, it often has more than one editor. Slate interviews Emma Donoghue; her American editor, Judy Clain; and her Canadian editor, Iris Tupholme, about how they all edited Frog Music. They discuss everything from how to deal with editing disputes to the best way to get edits. “I much prefer to get everyone’s opinions separately, because if I got a single editorial letter, it would be like getting a note from God!” Donoghue says. For more on the editing process, read about our own Edan Lepucki’s relationships with her copy editor and editor.
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Walter White’s Bookshelf
Sad that Breaking Bad is over? Bryan Cranston might have a new TV show on the way, and it was inspired by The Dangerous Book for Boys, he said in an interview for The New York Times “By the Book” series. While you wait, check out our article on what to read after you’ve finished watching Walter White’s saga.
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