The luck of the Irish is undoubtedly with Poetry Magazine this month in conjunction with the publication of their special Irish issue. In it, twenty-five Irish poets from Caitriona O’Reilly to Declan Ryan showcase some of the best of what the Emerald Isle has to offer; here is Patrick Cotter introducing the book for The Irish Times.
Turns out Americans aren’t the only ones who adore snark. The novelist and critic Adam Mars-Jones has won the first Hatchet Job prize from the British website Omnivore for his blistering takedown of Michael Cunningham’s latest novel, By Nightfall. Mars-Jones beat out Geoff Dyer’s slam of Booker Prize winner Julian Barnes’s The Sense of an Ending. “It isn’t terrible,” Dyer wrote, “it’s just so…average.”
Do you have 153 hours to kill? Do you love long French masterworks? If so, the folks at Naxos AudioBooks might have something up your alley. At 120-discs, publisher Nicolas Soames believes his company’s unabridged audiobook for Marcel Proust’s Remembrance of Things Past might just be the longest audiobook in existence. (Note: that means you’d still have 23 hours of the audiobook left after making this drive around the country.)
Steve Jobs, a new movie written by Aaron Sorkin, directed by Danny Boyle, and based on Walter Issacson’s biopic, will be released in theaters on October 23rd. Watch the official trailer and read a review at The Awl. Pair with our essay on Jobs’s legacy and Apple’s private beach.
When The Beatles made Rubber Soul, the band probably didn’t realize it would inspire some of the greatest contemporary fiction. First, Haruki Murakami named his novel Norwegian Wood. Now, “Drive My Car” inspired his new short story. Bungeishunju published the story today, but English readers are still waiting on the translation. Until then, we can always listen to the album. Pair with: Our essay on the soundtracks behind books.
“This is a huge generalization, but [American novels] have tended not to have all the elements that make it good for television, whether it’s too interior or there’s not enough action. The Brits tended to write more colorful stories rather than the darkness and struggle. Dickens and Trollope certainly knew how to write sequels, books that would make good ongoing series again and again. And the greatest love stories are in the Wuthering Heights and Pride and Prejudice. I don’t know what our equivalent is.” In a piece for The Atlantic Spencer Kornhaber wonders, “Is American Literature Too Dark for TV?“