The luck of the Irish is undoubtedly with Poetry Magazine this month in conjunction with the publication of their special Irish issue. In it, twenty-five Irish poets from Caitriona O’Reilly to Declan Ryan showcase some of the best of what the Emerald Isle has to offer; here is Patrick Cotter introducing the book for The Irish Times.
Luck of the Irish
Writing for Their Lives
Over at Bloom check out this 3-part feature—a conversation and excerpts—on fiction writers-cum-memoirists Robin Black (If I Loved You I Would Tell You This, Life Drawing) and Natalie Serber (Shout Her Lovely Name)—former classmates at the Warren Wilson low-res MFA program, both later-life bloomers, and both “writing for their lives” in new memoirs.
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Area Woman Makes the Best of It
What do you do when McSweeney’s rejects your humor piece? You could, like most people, slink off and write something new, perhaps after a quick look at the site to get a better sense of what they’re looking for, or you could write a new humor piece about getting rejected by McSweeney’s. At The Nervous Breakdown, Rachel Pollan takes the latter route (with a cameo by the movie Swingers).
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What Seems Obvious Is Often Refuted
A new study indicates that when it comes to National Endowment for the Arts grants, “there is not a disproportionate benefit to wealthy individuals.” In fact, the grants often benefit both the rich and poor alike.
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On bad taste
In the world of fine art, is there such a thing as bad taste anymore? Based on the recent Swedish MOMA cake controversy, I’d say, um, heck yes.
What’s “Appropriate”
We’ve been following the YA debate quite attentively – I wrote about it just last week – but Sarah Burnes‘s addition to the conversation, a blog post for The Paris Review, is one of the most eloquent I’ve read. In defense of reading YA fiction as a “grown-up” she writes, “The binary between children’s and adult fiction is a false one, based on a limited conception of the self. I have not ceased to be the person I was when I was an adolescent; in fact, to think so seems to me like a kind of dissociation from a crucial aspect of one’s self. And the critic should be concerned with what is good and what is bad, what is art and what is not—not with what’s ‘appropriate.'”
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$pending the $tephen King Money
What do you do when Stephen King uses the same title on one of his books as you used on yours (which came out earlier)? You reap the rewards of mistaken Amazon purchases, and you document the spoils of those royalty checks.
The Squirrels Are Coming!
Whether they’re “coordinat[ing] kamikaze attacks on the power grid,” “damaging [a nuclear missile] base’s physical infrastructure,” or even just water-skiing, I feel that it must be said unequivocally: I for one welcome our new squirrel overlords.
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