The University of Texas at Austin has recently acquired Kazuo Ishiguro’s archive. The collection reveals early drafts, a pulp Western novel that Ishiguro thought had been lost, and his early attempts at songwriting. “For many years,” he said, “I’ve been in the habit of keeping a large cardboard box under my desk into which I throw, more or less indiscriminately, all papers produced during my writing that I don’t want to file neatly and take into the next stage of composition: earlier drafts of chapters, rejected pages, scraps of paper with scribbled thoughts, repeated attempts at the same paragraph, etc.”
“Maybe I [felt] a shift in responsibility when I had kids. I wanted the work I was doing, whatever it was, to be something that could be meaningful to them one day. That’s where the germ of the memoir came from. I thought that perhaps writing about my parents and where I came from would one day be helpful for my kids.” For Guernica, Christopher Kondrich interviews Tracy K. Smith about writing a memoir, the presence of David Bowie in her Life on Mars, and her reverence for the cosmic. Also check out Sophia Nguyen’s Millions review of Smith’s memoir, Ordinary Light.
Fun fact: Up until the late 1940s, science fiction novels really didn’t exist. Andrew Liptak writes about the rise of the paperback novel and the evolution of science fiction for Kirkus Reviews. Pair with Nichole Bernier‘s Millions essay on “The Point of the Paperback.”
“The worst days I’ve ever known could be my future under the American Health Care Act.” For Catapult, Liz Lazzara writes about her history with mental illness and what might happen if the new healthcare legislation passes the Senate. Pair with Gila Lyons in our pages about madness, medication, and the creative instinct.