“I’ve spent my whole professional life swirling the eddies of the margins… What I want right now is to see my book in an airport. Then in a couple of years everyone will figure out that I’m too esoteric, and I’ll be back…” The New York Times posts a curious interview with the unconventional Jaimy Gordon, winner of this year’s National Book Award.
“It’s really strange to have the success of a poem be so directly tied to people processing grief. It’s a strange thing, because it’s a blessing and a curse.” The Rumpus interviews poet Maggie Smith about her new collection, Good Bones, her viral poem that shares its name, and her craft. From our archives: Smith’s collection was featured in our round-up of October’s Must-Read Poetry.
Trend alert: there’s been a surprising proliferation of literary site spinoffs lately. First The Toast began The Butter, and then Electric Literature started Okey-Panky. Now the Los Angeles Review of Books joins the movement with The Offing, an online lit mag launching later this month.
“The contradictions of [Madeleine] L’Engle’s life offer the best insights into the complicated acrobatics we perform in the modern world in order to satisfy the competing claims of love, family, success, and ambition….While the person that emerges could be tiresome, didactic, and just plain weird—why is everyone always breaking into a hymn at her house?—she could also be tender and offered real insights into the difficulties of growing up.” There’s a new biography of the A Wrinkle In Time author out, and The New Republic examines her life’s many complexities and, well, wrinkles.