In 1992, William Gibson published Agrippa, a poem coded on a floppy disk such that after one reading it would destroy itself forever. Quinn DuPont, a PhD student studying cryptography, built an emulation of the self-destructing poem and has a challenge to cyberpunks and cryptographers: be the first person to crack the poem’s code and win a copy of every one of Gibson’s books ever published.
Everyone’s favorite scrappy San Fransisco literary web site, The Rumpus, has relaunched with a major redesign. Go over and poke around why don’t you? If you’re looking for a place to start, why not Roxane Gay’s recent essay on the New York Times Book Review section’s dismal numbers when it comes to reviewing books written by people of color?
Sean Manning of the Talking Covers blog spoke with a bunch of authors, editors and artists to take a long, close look at the work of Lorraine Louie, the designer “who came up with the uniform, De Stijl layout” of the inimitable Vintage Contemporaries. And while on the topic of book covers, check out Tammy Fortin’s “New Covers for Old Classics” series she put together for the San Francisco Museum of Modern Art.
In a piece for the Los Angeles Review of Books, Jonathan Farmer responds to the recent pieces in the New York Times that ask poets to debate the question “does poetry matter?” As Farmer points out, ” it’s a bit like asking a bunch of religious figures if religion matters,” but the conversation is worth following and pairs well with our own recent pieces on poetry’s power and popularity.