Tin House magazine’s new Theft issue includes gems like this poem from Matthew Zapruder and this story by Kirsten Bakis among many others. John Brandon’s essay from The Millions on the literary consequence of petty theft is a perfect follow-up read for all of you kleptomaniacs out there.
“Every year, as Halloween draws near, I get to thinking about what makes books scary,” writes Ben Dooley in his introduction to Mark Z. Danielewski’s House of Leaves. It’s a book that “’gets’ existential horror,” Dooley claims. Intrigued? Well be sure to check out not only his review of the book, but also our interview with its author.
"Every story that works gets the level of description that it needs. Which isn’t to say that the level of description needed for every successful story is the same." Tobias Carroll surveys the wide variety of detail density in fiction for Electric Literature.
How often do journalists unfairly stereotype the Rust Belt? All the time, says Jim Russell. In a piece for Pacific Standard, he argues that much of the reporting on Dayton, Flint and other industrial towns falls prey to hyperbole and generalization. (Related: Darryl Campbell on the recession and Rust Belt fiction.)
People like to think that the more books they read, the better people they’ll become. But is that really true? The answer’s unclear. But one thing does seem apparent: reading more books might make you better at bullying people.
Fyodor Dostoevsky's Crime and Punishment is getting the musical treatment, and though "it does not seem the most likely candidate to provide musical fun for all the family" for a long list of reasons - "heavy drinking, prostitution, a double axe murder and hours of psychological torment" - we're already planning our trips to Moscow for the premier. This is also a good opportunity to revisit the debate over who's greater, Dostoevsky or Tolstoy?