Tin House magazine’s new Theft issue includes gems like this poem from Matthew Zapruder and this story by Kirsten Bakis among many others. John Brandon’s essay from The Millions on the literary consequence of petty theft is a perfect follow-up read for all of you kleptomaniacs out there.
The popularity of Joshua Katz’s American dialect maps inspired The Atlantic to create their own dialect video. In it, Atlantic staff members call people from across the country, recording them so listeners can hear their accents, and ask them to answer questions from a 2003 Harvard survey.
“You could say that Fancy is about a couple of comical old kooks stuck in a dismal town finding creative ways of making themselves (and some luckless bystanders) crazy … and you wouldn’t be wrong. But you could also say that it’s the story of the composition of the manifesto of a bizarre and protean (protozoan?) order of being in which we’re all just patterns mistaking ourselves for people.” In a piece for BOMB Magazine, Scott Esposito interviews Jeremy M. Davies about Bernhard, Olive Garden, writing Fancy and reintroducing humor into modernist literature. Their conversation pairs well with our own Nick Ripatrazone‘s look at, well, the conversations of BOMB interviews.
Portland-based Publication Studio is hosting a whirlwind series of events in New York next week. They kick off the weekend with an evening mixer at the Museum of Modern Art on Thursday, April 19; continue with a conversation between landscape architect Diana Balmori and PS co-founder Matthew Stadler at Printed Matter, on Friday, April 20th; and end with a lavish sit-down dinner, cooked by Ben Walmer of the Highlands Dinner Club in the Harlem speakeasy where HDC got its start, on Saturday, April 21.