Dan Piepenbring writes at The Paris Review on judging a book by its cover in the Weimar Republic and the sheer mastery of some of the early twentieth-century German cover designers. Two related pieces from The Millions: our own Bill Morris on the pleasures of the typewritten book cover and Matt Allard on reimagining some popular cover art.
Have you taken advantage of NYRB Classics’ Winter Sale yet? A whole bunch of their books are listed with 50% discounts! Why not check out The Radiance of the King, which was recommended this past Year in Reading by Deborah Eisenberg? (And also recommended by Junot Díaz back in our 2007 edition of the series, too.)
Recommended reading: on dictionary-related panics from The New Yorker. Pair with our own Bill Morris‘s Millions essay “Prescriptivists vs. Descriptivists: The Fifth Edition of The American Heritage Dictionary.”
If you’re looking forward to the next Margaret Atwood novel, you’ll have to wait a century. Atwood is the first author to participate in the Future Library project, in which 100 authors will write 100 original manuscripts to be published 100 years from now. We’re envious of our grandchildren. If you’d like an Atwood fix sooner, her short story collection Stone Mattress: Nine Tales comes out next week.
Keeping track of the art mentioned in Donna Tartt’s The Goldfinch is almost as difficult as keeping track of Boris. Fortunately, Laura Petelle made a Pinterest board of all the art in the novel, complete with excerpts. Start reading from the bottom up, and beware of spoilers.
“Jo Freeman, a feminist writer and activist who worked with Firestone from the beginning, said at the memorial, ‘When I think back on Shulie’s contribution to the movement, I think of her as a shooting star. She flashed brightly across the midnight sky, and then she disappeared.'” At The New Yorker, Susan Faludi writes on the legacy of Shulamith Firestone.