“She didn’t even want to be anything. She just wanted to be able to sit in a room and not feel tortured by it, which is sort of the human condition in general. Eileen isn’t dreaming of leaving home and making it in the big city on Broadway. She just wants to go and eat a banana, you know?” Ottessa Moshfegh on her new novel, Eileen, for The Rumpus.
“‘I just want to be normal,’ she said, even though she had amazing powers and a super-family and was mega-gorgeous and better than normal in every way and the entire book would be terrible if she were normal and she had no conception of what normal was to begin with.” At The Toast, Mallory Ortberg lists flaws only a protagonist could have.
David Satter’s It Was a Long Time Ago and It Never Happened Anyway gets reviewed for The Daily Beast. The book is a “sweeping study of how the former Soviet Union’s bloody past continues to poison Russia’s present and threatens to strangle the country’s future.”
Heads up! Fantasy Magazine is looking for submissions for their special issue, “People of Colo(u)r Destroy Fantasy.” Per the guidelines: “We’re looking for original, unpublished fantasy stories of up to 7500 words written by People of Colo(u)r. The stories can be set in this world with fantastical elements or they can take place in another world entirely. Please avoid timeworn cliches like the White Savior, the Magical Negro, and the Woman Who Is Only A Sex Object.”
If you were like this writer when you were growing up, you knew — nay, believed — that Sonic the Hedgehog was better than Mario, full stop. At The Verge, Trent Volbe explains the Blue Blur’s greatness, including a sample from the Green Hill Zone soundtrack to illustrate the games’ sick bass grooves.