When Adrienne Raphel got to the Iowa Writers’ Workshop, she found a group of writers as addicted to fonts as she was. Over time, a “font subculture” developed among the poets, who settled on particular fonts as their signatures, at least for a while. At The Paris Review Daily, she writes about her typographic bent. Pair with our own Garth Risk Hallberg on the use of fonts in publishing.
In memory of Mark Strand, who passed away on Saturday, the Paris Review Daily published a manuscript page from “A Piece of the Storm,” a poem that appeared in Strand’s collection A Blizzard of One. They also included links to several poems of his they published, as well as his Art of Poetry interview.
From Nebuchadnezzar to Hippocrates to the Victorian asylum: The Paris Review takes a look at mental illness and its treatments across the centuries.
Don’t worry, you don’t have to learn a new language to read the new Haruki Murakami book. Last week, our own Nick Moran wondered when Murakami’s latest would be getting an English translation. Knopf Doubleday publicity director Paul Bogaards revealed it should be out by 2014.
“But migraines! Everyone relishes a migraine. They have a literal aura! Migraines foster the sort of pure narcissism that only intense, essentially benign pain can. We sufferers (that’s how it’s described, “migraine sufferer”) feel it is meet and right that the migraine should be dramatized in films like Pi or White Heat; this strengthens the perception that migraines are the hallmark of geniuses, or at least psychopaths. Joan Didion writes about them; of course she does.” Sadie Stein on the allure of the headache to end all headaches.