When Adrienne Raphel got to the Iowa Writers’ Workshop, she found a group of writers as addicted to fonts as she was. Over time, a “font subculture” developed among the poets, who settled on particular fonts as their signatures, at least for a while. At The Paris Review Daily, she writes about her typographic bent. Pair with our own Garth Risk Hallberg on the use of fonts in publishing.
Comic Fans
The Same Grace
“I do not wish to presume. I want to love. Oh God please make my mind clear.” It’s no secret that Flannery O’Connor was both an incredible writer and a devout Catholic. The New Yorker has just published a few excerpts from her Prayer Journal which are characteristically beautiful whether or not you’re a believer.
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Literary Map of Manhattan
An interactive literary map of Manhattan, at The New York Times Book Review: “Here’s where imaginary New Yorkers lived, worked, played, drank, walked and looked at ducks.” (via The Rumpus)
One Kind of Coating
At Bookforum, Gee Henry talks with New Yorker staff writer Hilton Als, whose new collection of essays, White Girls, tackles subjects including Eminem, Truman Capote and Gone with the Wind. The writer also delves into his affection for André Leon Talley.
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Very Secret and Odd
Recommended Reading: Søren Kierkegaard and Anna Akhmatova overheard whispering on a stairwell.
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Writing Is a Dangerous Pursuit
“We might not win. And yet we have to commit ourselves to the struggle, because there’s nothing else besides struggle.” Toni Morrison talks about literature and activism with Ta-Nehisi Coates and Sonia Sanchez.
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