When Adrienne Raphel got to the Iowa Writers’ Workshop, she found a group of writers as addicted to fonts as she was. Over time, a “font subculture” developed among the poets, who settled on particular fonts as their signatures, at least for a while. At The Paris Review Daily, she writes about her typographic bent. Pair with our own Garth Risk Hallberg on the use of fonts in publishing.
“I have this belief that you have to save at least half of your crucial experiences. The ones that are crystalline. The ones that you always can recall. And you recall that every detail—what actors call a sense impression. You remember how things smelled, what they felt like, how you felt at the moment. You remember every single last part of this episode, or moment in your life.” This interview with Norman Mailer from The Paris Review never actually made it to print, which makes it all the more fascinating.
Yoko Ono has permitted the publication of a book of John Lennon’s personal letters “to his friends, family, strangers, newspapers, organizations, lawyers and the laundry.” The Lennon Letters is due out October 2012, and will be edited by Hunter Davies, author of the authorized biography The Beatles.
“Will excessive drinking unleash your creative energy? Who can say?” Over at The Toast, intrepid cataloger Ren Arcamone has compiled a list of things you could be doing instead of writing your thesis. Go read it instead of writing your thesis. Continue the stay of essay execution and check out Mallory Ortberg’s hilarious (and helpful) guide to some common signs that you might be dying in a Victorian novel.