“Armand’s characters all seem both hugely present and in life’s juice and simultaneously dead, as if rent of brain, nerves, chest, stomach, intestines … Without gods and devils these patients feel that only fire can save them, existing eternally unless burned away.” Australian novelist Louis Armand’s newest, Abacus, is reviewed by Richard Marshall at 3:AM Magazine.
Graywolf Press – the publisher behind Citizen, The Empathy Exams, The Argonauts, and On Immunity: An Inoculation – has built a reputation as “a scrappy little press that harnessed and to some extent generated a revolution in nonfiction, turning the previously unprepossessing genre of the ‘lyric essay’ into a major cultural force.” Over at Vulture, Boris Kachka writes about the history of one of the nation’s leading independent literary publishers.
“if I am going to set a novel in a real place, in a real time, I must get all the details right. I should not put a wall around Washington Square, start the Iraq War in 2005, or claim that maple trees bear acorns. This matters because it has to do with keeping faith with your readers. If you get something verifiable wrong, why should they believe you when you really are making things up?” Helen Benedict for Amazon Author Insights on finding the balance between research and imagination when writing fiction. (Full disclosure, Amazon helps us pay the bills around here!)
“Pink Trance Notebooks is the mind working, is material rising from somewhere deep to be shaped and reshaped into blocks of dreamlike text. It is also surface: material gathered from within reach.” Sarah Gerard at Hazlitt in an interview with Wayne Koestenbaum, whose new book is out in October.