“What people call you shapes how you see yourself, and teaches you how to navigate the world. But the moment you name something, you limit the possibilities of what it can be.” Marie Elia, who was trained as a cataloguing librarian, argues that our biases affect the way we describe books at Queen Mob’s Teahouse. Pair with our essay on “A Library of the Mind.”
“For a man who is making his living as a critic to write about Scott Fitzgerald without mentioning The Great Gatsby just means that he doesn’t know his business. Many people consider The Great Gatsby one of the few classic American novels. I do myself. Obviously such a judgment is debatable.” The New Republic digs up a tribute by John Dos Passos.
For its spring issue, the Paris Review will be publishing Roberto Bolaño’s The Third Reich—its first serialized novel in forty years—with original illustrations by Leanne Shapton. It’s a chance to discover Bolaño’s famous lost novel almost a year before it appears in book form.
“Now the lattice that connects us is digitally immediate we travel all the more, but we’ve lost this thrill of adventure. It’s oddly touching to read a novel where journeys are so inherently exciting, and it makes the book both consummately funny and poignantly elegiac.” On the novel Changing Places by David Lodge.
Yesterday, our own Elizabeth Minkel pondered if Twitter fiction could be real art. She cited Teju Cole, a literary Twitter master, but what does he have to say about how Twitter affects his writing? “My memory is worse than it was a few years ago, but I hope that my ability to write a good sentence has improved,” he told The New York Times.