“What people call you shapes how you see yourself, and teaches you how to navigate the world. But the moment you name something, you limit the possibilities of what it can be.” Marie Elia, who was trained as a cataloguing librarian, argues that our biases affect the way we describe books at Queen Mob’s Teahouse. Pair with our essay on “A Library of the Mind.”
“When you read these books—I suggest perusing them, martini in hand, while your children (or better your friends’ children, for whom you are babysitting) run around shrieking—you’ll see every parenting stance you’ve ever adopted, every parent-story trope you’ve ever told or heard, expressed more perfectly than you ever could have.” Dan Kois on Shirley Jackson’s two memoirs on parenting.
Have novels about love lost their gravitas as women’s liberation and divorce culture have taken over? Adelle Waldman doesn’t think so. In The New Yorker, she defends the timelessness of the marriage plot. “As long as marriage and love and relationships have high stakes for us emotionally, they have the potential to offer rich subject material for novelists, no matter how flimsy or comparatively uninteresting contemporary relationships seem on their surface.” Pair with: Our Jeffrey Eugenides essay on writing The Marriage Plot, which is referenced several times in Waldman’s essay.
“For our readers, time is the precious commodity they invest in every book they decide to purchase and read. But time is being ground down into smaller and smaller units, long nights of reflection replaced with fragmentary bursts of free time. It’s just harder to make time for that thousand-page novel than it used to be, and there are more and more thousand-page novels to suffer from that temporal fragmentation.” Tor.com on why novellas are the form of the future.
We cover a decent number of literary awards here at The Millions, but we, like most magazines, have a tendency to focus on the present. At the LARB, Andrew Nicholls makes up for this by recounting the very first book awards, in which Mooluu’s “The Beast Attacked” goes head-to-head with Kurtan the Elder’s “Why Half My Face is Missing.” You could also read our own Mark O’Connell on why we care about literary prizes to begin with.