“What people call you shapes how you see yourself, and teaches you how to navigate the world. But the moment you name something, you limit the possibilities of what it can be.” Marie Elia, who was trained as a cataloguing librarian, argues that our biases affect the way we describe books at Queen Mob’s Teahouse. Pair with our essay on “A Library of the Mind.”
“Look. There are are only two truly great science fiction movies. The first is Stanley Kubrick’s 2001…The second is Blade Runner…You may disagree with this statement. You would be wrong. Let’s move on.” Damien Walter at Guardian accuses Hollywood of screwing up science fiction.
Out this week: The Blazing World by Siri Hustvedt; The Heaven of Animals by David James Poissant; Cementville by Paulette Livers; Damage Control by Amber Dermont; Blood Will Out by Up in the Air author Walter Kirn; Shotgun Lovesongs by Nickolas Butler; and The Haunted Life, a new collection of early writing by Jack Kerouac.
Good news for you! If you’re a creative person, you’re “no more likely to suffer from psychiatric disorders than other people.” Bad news for your family! If you’re a creative person, you’re “more likely to have a close relative with a disorder, including anorexia and, to some extent, autism.”
For The Guardian, Rafia Zakaria writes on the new wave of confessional “feminist” memoirs. As she puts it, “We’re on an uncomfortable tightrope between a bold new dialogue about women and sex, and the monetisation of that conversation by powers that recognise that as a gap in the market.” Pair with this Millions essay on feminist pop anthems.