The editors of Apogee Journal have reserved themselves the right not to read submissions blindly. As they explain it, “Blind submissions don’t actually protect writers from the existing prejudices of editors, and they alone do not contribute to editors reading inclusively.”
Robert Roper wonders whether or not Ernest Hemingway‘s death has “eclipsed his work.” Elsewhere, Melville House wonders whether or not the FBI had something to do with it. The author’s influence is as apparent today as ever before, though perhaps it’s not his death that endures, but rather his perceived masculine mystique.
Out this week: The Animals by Christian Kiefer; The Precious One by Marisa de los Santos; A Reunion of Ghosts by Judith Claire Mitchell; The Lost Boys Symphony by Mark Andrew Ferguson; The Wisdom of Perversity by Rafael Yglesias; The Shadow of the Crescent Moon by Fatima Bhutto; The Wednesday Group by Sylvia True; Night at the Fiestas by Kirstin Valdez Quade; and Notes from a Dead House, a new Dostoevsky translation by Richard Pevear and Larissa Volokhonsky (whom we’ve interviewed). For more on these and other new titles, check out our Great 2015 Book Preview.
Year in Reading alumna and New York Times Book Review editor Parul Sehgal writes about her childhood reading habits. Millions readers should take a keen interest in this write-up for a couple reasons: 1) it’s awesome; and 2) the other half of her “we” is our associate editor, Ujala Sehgal.