Poets, rejoice! Tracy K. Smith’s selections for Best New Poets 2015 have been announced. After you’ve checked them out, go take a look at Sophia Nguyen’s Millions essay on Smith’s newest memoir Ordinary Light.
Best New Poets
Mark Twain’s Autobiography
Mark Twain left instructions not to publish his autobiography until 100 years after his death, which is now. Volume I will hit shelves in November.
Billy Joel Gets Cold Feet
Could this be the start of a trend? HarperCollins paid the singer Billy Joel $3 million for a memoir back in 2008. Joel wrote The Book of Joel, the publisher edited it, and a June publication date was set. Last week, however, Joel abruptly backed out of the deal and apparently will return the portion of the advance he’s been paid. His reason? He told the Associated Press he “was not all that interested in talking about the past.”
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Written History
The New Republic takes a look at Adrienne Rich’s never-before-seen letters, which trace her feminist awakening.
“Insatiable Maw”
“In recent decades the traditional outlets for individual short stories have dwindled, with literary magazines closing or shrinking. But the Internet has created an insatiable maw to feed.” Why both the Internet and electronic devices might be good for the short story.
Amanda Shapiro on Cookbooks as Comfort Reading
Amanda Shapiro makes a case for reading cookbooks for more than just their recipes, especially during a quarantine.
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Discovering Ice
Recommended Reading: On the secret history of Gabriel Garcia Marquez’s One Hundred Years of Solitude.
Capital G
“Good TV is not merely good TV (i.e. better-than-average TV), but TV that is so good it deserves to be taken as seriously as great films and even great Literature (yes, with a capital ‘L’). As such, watching Good TV and discussing Good TV are qualitatively different than watching and talking about other kinds of TV. The emergence of Good TV is a rather big deal in the recent history of American culture. It may well be one of the top two or three cultural developments of this still-young century.” Todd Hasak-Lowy dissects the TV revolution. (Pair with: our own Michael Bourne on the new age of cable and Broadway.) (h/t The Rumpus)