Poets, rejoice! Tracy K. Smith’s selections for Best New Poets 2015 have been announced. After you’ve checked them out, go take a look at Sophia Nguyen’s Millions essay on Smith’s newest memoir Ordinary Light.
Year in Reading alumnus Jonathan Safran Foer and Oscar-winning actress Natalie Portman have been exchanging emails for over a decade. Over at The New York Times Magazine, they share their recent correspondence on how things have changed since the beginning of their friendship.
Want to reverse a book ban? Start giving away free copies of the novel at your bookstore. Earlier this week, we reported that Ralph Ellison’s Invisible Man was taken out of the Randolph County, NC school curriculum. But less than week later, the ban has already been lifted due to intense community backlash and a local bookstore undermining the decision. Board member Matthew Lambeth said, “I felt like I came to a conclusion too quickly.”
Ladbrokes, the popular bookmaker, has correctly predicted the winner of the Nobel Prize in Literature with “a 50 percent accuracy rate” over the past eight years. This remarkable record is noteworthy because the oddsmakers do not actually read any of the books, and they do not go about “forming an opinion about the relative merits of each author.” Instead, the folks responsible for each year’s odds “appl[y] a numerical value to things like industry chatter, an author’s nationality, historical precedent.” So, that in mind, how confident do you feel about Haruki Murakami’s chances?
“Literature can use secrecy as a device to ensnare readers, to pull the wool over their eyes or to reveal to them things that the characters can’t see. Whether large – businessman by day, serial killer by night; or small – where a character silently yearns for an ex-lover.” Eli Goldstone compiles a list for The Guardian of 10 novels whose characters are concealing big secrets, including a few lesser-knowns like Shirley Jackson‘s We Have Always Lived in the Castle and New Finnish Grammar by Diego Marani.
James Hynes discusses the books he read when writing his latest novel, Next: “I wanted to see if I could write a day-in-the-life novel, a narrative that would be set in a single day, or part of one, and by working backwards and forwards through flashbacks, encompass the entire life of a single character.”