Self-styled music critic Patrick Bateman, the protagonist of Bret Easton Ellis’s 1991 novel American Psycho, certainly had a lot to say about 80s mainstays like Genesis and Huey Lewis and the News. Over at The New Inquiry, J. Temperance argues for Steve Winwood as Patrick Bateman’s musical doppelgänger. Go ahead and take a look at this essay by Bill Morris of The Millions on The Canyons, a film for which Ellis wrote the screenplay.
Back in the High Life Again
Down South
“We’re both gay boys from the south, and we both write about growing up in places that deny the value and dignity of LGBTQ lives.” Garth Greenwell and Garrard Conley are headed to North Carolina! It’s not too late to catch the duo as they hit the second leg of their reading/anti-HB2 events across the Old North State.
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Not Ideal
“The most unfortunate / Thing about history / Is not pornos. No, it is how Americans / (And we were talking about men but may I take this opportunity / To be more inclusive, because inclusivity is in!) were once better than they are at present.” In which an imagined David Brooks writes a sestina about misogyny. Here’s a Millions piece in which the real-life Brooks is thought of not as a pariah, but as a harbinger of hope.
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Vote for your Millions!
Dearest readers, the voting is now open in the 3 Quarks Daily Arts & Literature prize judged by Laila Lalami. Read and vote for your favorite piece from The Millions here!
Bill Watterson is Back
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Booker Prize Chair on the Shortlist
“With the [Booker] longlist it was ‘What, no Amis or McEwan or Rushdie?’; with the shortlist it’s ‘What, no Mitchell or Tsiolkas or Tremain?’” Andrew Motion, chair of the judges, shares his thoughts on the whole business of judging the Booker prize, at Guardian.
A Brief History of Gay Liberation
“If the taglines used to market lesbian, gay, bisexual, and transgender Americans to the country’s mainstream—‘Love Wins,’ ‘It Gets Better,’ and ‘You Can Play’—have led to unprecedented levels of inclusion and visibility, it is precisely by shoving sex aside and presenting gay people and straight people as essentially the same at heart. In the process, as the outsider status attached to being gay disappears in more and more contexts, some of gay culture’s radical roots risk being expunged from memory.” On Jim Downs’s Stand by Me: The Forgotten History of Gay Liberation.
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