Self-styled music critic Patrick Bateman, the protagonist of Bret Easton Ellis’s 1991 novel American Psycho, certainly had a lot to say about 80s mainstays like Genesis and Huey Lewis and the News. Over at The New Inquiry, J. Temperance argues for Steve Winwood as Patrick Bateman’s musical doppelgänger. Go ahead and take a look at this essay by Bill Morris of The Millions on The Canyons, a film for which Ellis wrote the screenplay.
“I wanted to be really careful about not pretending to write The Transracial Adoptee’s Experience, because (1) there is no such thing, it’s going to be different for everyone, and (2) I feel strongly that those stories should be told by the adoptees themselves, if they choose to share them,” Year in Reading alum Celeste Ng, author of Little Fires Everywhere, in conversation with Nicole Chung.
Leslie Jamison’s new essay collection is getting lots of plaudits, not least here at The Millions, where Ryan Teitman argued that Jamison manages to “meet her subjects in utter intimacy.” At the Tin House blog, Stephen Sparks interviews Jamison, who talks about the book, her “shame-seeking superpower” and her epigraph-cum-tattoo.
There’s a quiet war being waged against Wyoming’s wild horse population, reports The Altantic‘s Andrew Cohen.
Want a book blurb from Margaret Atwood? Expect a poem instead. Atwood has retired from the blurbing business and now declines in rhyming verse. “But now I am aging; my brain is all shrunk,/And my adjective store is depleted;/My hair’s getting stringy, I walk as though drunk;/ As a quotester I’m nigh-on defeated.” Pair with our essays on the blurbing blunder: a history of blurbs, blurbs as publicity stunts, and the fundamental question — to blurb or not to blurb?