Self-styled music critic Patrick Bateman, the protagonist of Bret Easton Ellis’s 1991 novel American Psycho, certainly had a lot to say about 80s mainstays like Genesis and Huey Lewis and the News. Over at The New Inquiry, J. Temperance argues for Steve Winwood as Patrick Bateman’s musical doppelgänger. Go ahead and take a look at this essay by Bill Morris of The Millions on The Canyons, a film for which Ellis wrote the screenplay.
Back in the High Life Again
Isabelle Eberhardt, Dependent on Chance
4chan in Literature
Cole Stryker‘s Epic Win for Anonymous: How 4chan’s Army Conquered the Web looks into one of the internet’s most infamous image boards. Housing Works Bookstore will be hosting a party in September to celebrate its launch. To tide you over, you can check out the author’s interview at Betabeat.
Merry Pranksters
“No drugs on the bus!” Take a road trip with poet laureate Carol Ann Duffy and some other really fantastic poets.
What’s A Guy Got to Write to Get a Bridge Named After Him?
Frank McNally investigates the “dark forces at work somewhere” that prevent Flann O’Brien from being honored with a Dublin bridge. Perhaps we should all start a grassroots campaign to send Mark O’Connell’s O’Brien tribute to Irish civil engineers.
Tuesday New Release Day: Whitehead, Jin, Gray
Colson Whitehead’s zombie thriller Zone One hits shelves today, as does Ha Jin’s Nanjing Requiem. Also out is The Journals of Spalding Gray.