Back in the High Life Again

August 30, 2015 | 1 book mentioned

Self-styled music critic Patrick Bateman, the protagonist of Bret Easton Ellis’s 1991 novel American Psycho, certainly had a lot to say about 80s mainstays like Genesis and Huey Lewis and the News. Over at The New Inquiry, J. Temperance argues for Steve Winwood as Patrick Bateman’s musical doppelgänger. Go ahead and take a look at this essay by Bill Morris of The Millions on The Canyons, a film for which Ellis wrote the screenplay.

is an intern for The Millions. He reads and resides in North Carolina. Brian can be found on Twitter @jbetling, and in the real world behind the counter of Scuppernong Books in Greensboro, NC.

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