Nabokov once described himself “as American as April in Arizona,” which is an odd thing to call yourself when you’re a lepidopterist Russian expat. In Nabokov in America, Robert Roper explores why Nabokov felt he was so American, and how his journey to that identity influenced his writing of Lolita. At The Literary Review, Ian Sansom reviews Roper’s book.
Though major publications like The New York Times are still questioning the importance and power of female essayists, Lucy Scholes argues that women are producing “some of the best writing today” and as proof lists several of the best recent essay collections by women in a piece for The Daily Beast. Incidentally, that list includes titles such as The Empathy Exams and The Opposite of Loneliness, both of which were reviewed for The Millions (here and here, respectively).
This Splitsider interview with Clarissa Explains It All creator Mitchell Kriegman is fantastic. Among the many revelations that come out of the interview is this gem: “The most amazing person that you would never guess worked on the show was [The Hunger Games author] Suzanne Collins. She was the quietest, nicest person. Like having JK Rowling working on your show!”
The first installment in a series of bloggers reading through the shortlist of the Caine Prize for African Writing, Aaron Bady looks at Rotimi Babutunde’s Bombay Republic [pdf]. A full list of participating bloggers is available at the bottom of Bady’s post.
“I remembered Def Leppard for their one-armed drummer arrested for spousal abuse. Meanwhile Prince played, like, twenty different instruments while having sex in the backseat of taxicabs, ducking the Antichrist, and shouting for gun control. Also: girlfriend on drums. What’s fair is fair.” The Prince-related thinkpieces have mostly subsided by now, but this new piece by Dave Tompkins at The Paris Review will make you glad that people are continuing to write about him.