Nabokov once described himself “as American as April in Arizona,” which is an odd thing to call yourself when you’re a lepidopterist Russian expat. In Nabokov in America, Robert Roper explores why Nabokov felt he was so American, and how his journey to that identity influenced his writing of Lolita. At The Literary Review, Ian Sansom reviews Roper’s book.
As American as Borscht
Perils of the Humanities Students
In Florida, legislators are wondering whether or not they should raise tuition costs for students studying the humanities, or really anything other than STEM fields. Likewise, James Dyson (yes, the vacuum guy) bemoans Britain’s abundance of “students choosing to read humanities at university.” As a rejoinder, one New Statesman blogger notes that the study of humanities does not inhibit technological innovation, and that as a bonus, “we gain from having people who reshape our cultural landscape and put things in new contexts.”
A Worthy Prize
The New York Public Library has named five finalists for its inaugural Harriet Tubman prize, which recognizes non-fiction books that explore the topic of slavery. You may also want to revisit our own Edan Lepucki‘s essay from a few years back on slavery in fiction.
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Interview with Don DeLillo
Robert McCrum at Guardian scores a rare interview with Don DeLillo on his most recent novel, Point Omega, and the process of exploring America through fiction.
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Poetry Wounds
“Ocean Vuong is that rare architect of accommodation, giving the most precarious situations or embarrassing of grievances of our culture a sound environment in which they can thrive. As he kisses and tucks the parents in their beds, he sets out from the wreckage of his past towards a hard-won horizon of blunder and wonderment.” Jeff Nguyen reviews Vuong’s newest poetry collection, Night Sky With Exit Wounds.
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The Millions, Interviewed
The Millions Editor Max is interviewed at the National Book Critics Circle today. Among the topics discussed, “the motivation for launching The Millions seven years ago” and what we look for in book reviews.
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A Profile of the Profilist
Whether you’re a fan of the Boss or not, David Remnick’s recent 17-page look at the life of Bruce Springsteen is a delight to read and a masterful example of the profile piece. Remnik joins Storyboard to talk about the art of the profile.
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No Bill the Butcher?
If Martin Scorsese develops a TV series based on Gangs of New York but it doesn’t feature Daniel Day-Lewis or Leonardo DiCaprio, will anybody watch it?
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