Recommended Listening: Ursula K. Le Guin talks with host David Naimon about her classic book Steering the Craft and argues that issues of class, race, gender, and morality cannot be separate from grammar. Pair with Paul Morton’s Millions interview with the author.
“When the corrective to women’s exclusion from history is to find a few suitable individuals to pluck out of the messy rush of life and achievement, and hold up for admiration, we forget that many of women’s most important historical achievements…have been the product of collaboration, community, and collective action.” For Slate, Joanna Scutts writes about recent spate of historical books about rebellious, misbehaved women, and who is left out of those stories. From our archives: a list of vile women in fiction.
“Some people see things others cannot, and they are right, and we call them creative geniuses. Some people see things others cannot, and they are wrong, and we call them mentally ill.” The Atlantic has an excellent contribution to the age-old thesis that creativity and madness are inextricably linked–and tied, moreover, to mental illness–based in part on a sample of students at Iowa Writer’s Workshop. Pair with another essay on creativity and the “touch of madness” from our own archives.
In The Nation, Mark Oppenheimer reviews Janet Malcolm’s Forty-one False Starts, which includes the New Yorker staff writer’s early works of criticism. The problem, he writes, with her and most Western critics? “She is a snob, but wishes she weren’t.” (ICYMI: we published a review a few weeks ago.)