“I realized that there was something wrong with an arrangement whereby a relatively affluent person such as I had become could afford to write about minimum wage jobs, squirrels as an urban food source or the penalties for sleeping in parks, while the people who were actually experiencing these sorts of things, or were in danger of experiencing them, could not.” Barbara Ehrenreich on writing about poverty.
A Time of Scarcity
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Luck Runs Out
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Moral Fiction
Matthew Salesses talks about moral fiction and how to address prejudice in writing at Electric Lit. A piece of his essay: “The writing of fiction cannot treat marginalized characters as vessels, cannot let the plot play out the racism of under-enlightened protagonists. Perhaps the ultimate conclusion is that one cannot write without prejudice unless one understands that one has prejudice.” Pair with his recent essay at The Millions on plot and the inciting incident.
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“A Caul of Ambiguity”
“How could we possibly trust any creature that comes into the world wearing such a caul of ambiguity? That’s “essayists.” Four hundred and four years later, they continue to flourish.” John Jeremiah Sullivan offers a loose history of the essay, essayists, and all their many contradictions in a piece for The New Yorker.
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“Platonic Word”
Recommended reading: Edward Mendelson reflects on “how bizarrely Platonic [Microsoft] Word can be” and on writing in WordPerfect, where “the world seems more open, a place where endings can’t be predicted, where freedom might be real.”
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Is She a Betty or a Veronica?
Lena Dunham is the new voice of the Archie comics generation. The Girls creator will write four issues of the famous comic, coming out in 2015. She’s not the only woman joining the comics industry. DC Comics is adding a Native American teenage girl, inspired by the real Canadian Aboriginal teen activist Shannen Koostachin, to the Justice League United.
The New Western
“The presentation of himself as a damaged outsider, barely holding on, ups the dramatic ante, though it does seem at odds with the accomplished, balanced, commanding prose he appears able to muster with every sentence — not to mention his prestigious awards and teaching stints.” On Charles D’Ambrosio’s Loitering.
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