Muna Mire has written an incisive and timely essay for The New Inquiry on the Black Feminist classic Black Macho and the Myth of the Superwoman by Michele Wallace. Coinciding with last month’s reissue of Black Macho by Verso Books, Mire’s essay discusses justified anger rightly-directed and the potential utility of Wallace’s “Black Movement” in the context of today’s racially-charged political climate.
This one won’t do much to lift the Sunday spirits, but it’s an important read nonetheless. Here’s Ed Miliband’s thoughtful essay at the London Review of Books on the growing inequality problem in Britain, which should look very familiar to those of us stateside. Here are a couple of less depressing Britain-related links to bring you back around.
“A story works when there’s momentum, life behind the words,” Mary Miller told Matthew Salesses at The Rumpus. She needs that momentum for her new novel, The Last Days of California, about a family driving to California for the rapture. Also, Amy Butcher wrote about her favorite Millerisms at Hobart.
Looking for something to watch this weekend? Got Hulu Plus? Well, start working your way through the veritable treasure trove that is the Criterion Collection. And don’t worry. If you’re as overwhelmed by the selection as I am, this top ten list by filmmaker Dean Peterson can serve as a great guide. Also, for what it’s worth, I’m partial to Andrei Tarkovsky’s Andrei Rublev.
Conversations and Connections is a Philadelphia conference offering editors, writers and publishers a chance to meet one another in a “comfortable, congenial environment.” The full day’s events are organized by Barrelhouse, and this year’s keynote speaker is The Odds author Stewart O’Nan.
Out this week: Devil on the Cross by Ngũgĩ wa Thiong’o; Void Star by Zachary Mason; Sunshine State by Sarah Gerard; Double Bind, edited by Robin Romm; Often I Am Happy by Jens Christian Grøndahl; and Cave Dwellers by Richard Grant. For more on these and other new titles, go read our most recent book preview.
Wow, NPR, this is kind of amazing: “A non-stop mix of every song ever played during the 10 years of All Songs Considered.”