In an illuminating interview for Slate, James Wood revises his opinion on David Foster Wallace and discusses how aging can change critics. As he puts it, “At exactly the moment that I wanted really to write, and started writing poems and then trying to write bad fiction, I was reading with a view to learning stuff. I was reading poetry. How did Auden do his stanza forms? And I was trying to copy those. What’s a successful poem, what’s an unsuccessful poem? […] What’s a good sentence? I don’t think I’ve changed. I am as sincerely interested in novels that fail as I am in novels that succeed. I just want to work them out. It’s a pleasure for me actually.” Top it off with Jonathan Russell Clark’s essay on Wood’s The Nearest Thing to Life.
“Why do we lust for lists?” Sandra M. Gilbert may not have an answer, but she does have a response to all those “100 Best American Novels” lists (and a list of her own). The Millions has a few lists too, of course – be sure to check out Janet Potter‘s “28 Books You Should Read If You Want To.”
The trailer for City on Fire, Garth Risk Hallberg’s highly anticipated 944-page debut novel, is finally here. The trailer features a new song by Paul Maroon and Year in Reading alumnus Hamilton Leithauser. Also check out the opening paragraph of the novel.
The editors of Apogee Journal have reserved themselves the right not to read submissions blindly. As they explain it, “Blind submissions don’t actually protect writers from the existing prejudices of editors, and they alone do not contribute to editors reading inclusively.”
Sara Nović writes for The Believer about the deaf protagonist of Stephen King’s The Stand. As she explains it, “This is the plight of the average deaf character: to be plagued by the hearing author’s own discomfort with the idea of silence.” Pair with Lydia Kiesling’s Millions essay on King.
New this week: All the Birds, Singing by Evie Wyld; In the Course of Human Events by Mike Harvkey; Casebook by Mona Simpson; The Other Story by Tatiana de Rosnay; Vernon Downs by Jaime Clarke; and Labor Day: True Birth Stories by Today’s Best Women Writers, edited by Eleanor Henderson and Anna Solomon. For more on these titles and other new releases, check out our Great 2014 Book Preview.