In an illuminating interview for Slate, James Wood revises his opinion on David Foster Wallace and discusses how aging can change critics. As he puts it, “At exactly the moment that I wanted really to write, and started writing poems and then trying to write bad fiction, I was reading with a view to learning stuff. I was reading poetry. How did Auden do his stanza forms? And I was trying to copy those. What’s a successful poem, what’s an unsuccessful poem? […] What’s a good sentence? I don’t think I’ve changed. I am as sincerely interested in novels that fail as I am in novels that succeed. I just want to work them out. It’s a pleasure for me actually.” Top it off with Jonathan Russell Clark’s essay on Wood’s The Nearest Thing to Life.
Betty Wants In and the Melbourne Skydive Centre have been churning out some simply amazing footage of sky divers, parachutists, and base jumpers. Check out their latest installment, Experience Freedom, and be blown away. (Previously: Experience Human Flight, Experience Zero Gravity.)
Once a decade, Granta publishes a special “Best of Young American Novelists” issue featuring work from American fiction writers under the age of forty. The latest list includes Millions staffer and City on Fire author Garth Risk Hallberg, as well as Lauren Groff, Yaa Gyasi, Ottessa Moshfegh, and Claire Vaye Watkins, to name just a few. The issue will hit shelves on May 4th.
"The female writers whose work has most recently come in for enthusiastic appraisal are by no means a homogeneous group; their influences, preoccupations and style vary wildly." The Guardian profiles six women authors – Beryl Bainbridge, Anita Brookner, Angela Carter, Jenny Diski, Elizabeth Jane Howard, and Molly Keane – whose posthumous legacies continue to grow. Alix Hawley wrote a fantastic tribute to Brookner here earlier this year, noting, "[n]obody does depression quite so elegantly."