In an illuminating interview for Slate, James Wood revises his opinion on David Foster Wallace and discusses how aging can change critics. As he puts it, “At exactly the moment that I wanted really to write, and started writing poems and then trying to write bad fiction, I was reading with a view to learning stuff. I was reading poetry. How did Auden do his stanza forms? And I was trying to copy those. What’s a successful poem, what’s an unsuccessful poem? […] What’s a good sentence? I don’t think I’ve changed. I am as sincerely interested in novels that fail as I am in novels that succeed. I just want to work them out. It’s a pleasure for me actually.” Top it off with Jonathan Russell Clark’s essay on Wood’s The Nearest Thing to Life.
“We find ourselves in a swarm of fellow starstruck souls outside the Sheraton Hotel on Seventh Avenue in Manhattan, churning, squirming.” 25 years after the publication of Bonfire of the Vanities, Tom Wolfe returns to the subject of Wall Street. You can also check out my review of his most recent novel, Back to Blood, over here.
The organizers of this year’s O, Miami Poetry Festival are holding an online poetry contest entitled “That’s So Miami.” To participate, submit a poem that begins or ends with the phrase, “that’s so Miami.” Entries – which can be culled from both Twitter and Instagram – are accepted in English and Spanish (duh), and submissions are posted daily on the organization’s new Tumblr. For a rundown of the festival’s other April events, check out their Facebook page.
VIDA, an organization that promotes gender parity in the literary arts, has tallied up the 2011 bylines and book reviews from some of the bigger magazines . Granta was the only publication to achieve parity, but they did have an issue devoted entirely to feminism, so that may be skewing the numbers. The Atlantic, The London Review of Books, and Harper’s are not making the cut. While institutionalized misogyny in any profession presents a problem, gender quotas are probably not the answer.