In an illuminating interview for Slate, James Wood revises his opinion on David Foster Wallace and discusses how aging can change critics. As he puts it, “At exactly the moment that I wanted really to write, and started writing poems and then trying to write bad fiction, I was reading with a view to learning stuff. I was reading poetry. How did Auden do his stanza forms? And I was trying to copy those. What’s a successful poem, what’s an unsuccessful poem? […] What’s a good sentence? I don’t think I’ve changed. I am as sincerely interested in novels that fail as I am in novels that succeed. I just want to work them out. It’s a pleasure for me actually.” Top it off with Jonathan Russell Clark’s essay on Wood’s The Nearest Thing to Life.
In the Tank, the blog of the New America Foundation, has a new interview up with Konstantin Kakaes, author of the latest e-book from The Millions. Among other things, he talks about what he would do if he ran NASA — “bring back a piece of Mars” — and mentions that the Voyager spacecrafts will keep sending signals back to Earth until at least the year 2025.
Gigantic’s going intergalactic with Gigantic Worlds, the lit journal’s first venture into book territory, in the form of a sci-fi flash fiction anthology. Authors include Jonathan Lethem, Lynne Tillman, Ed Park, Grace Krilanovich—and potentially you. Gigantic is currently seeking funding for their mission: the more money they raise, the nicer the rocket ship (or something like that).
We know the internet’s been full of buzz following the announcement of Chipotle’s new burrito lit, but the Los Angeles Review of Books’ “Review of Cups” by Maria Bustillos has us laughing. After all, there’s nothing like a timely and slightly irreverent review to legitimize a new genre. And for more fun with reviews, be sure to check out The Millions’ own “Worst Book Review Ever.”
Everybody lies, or so the saying goes. But how long have we known this was true? At Slate, Katy Waldman reviews a new history of lying, delving into the knotty philosophy behind efforts to excuse deceit. You could also read our own Edan Lepucki and Janet Potter on deceit as it pertains to Gone Girl.
“For me, language was a kind of initiation into multiple realities. For if one language could be certain of a table’s gender and another couldn’t be bothered, then what was true of the world was intimately tied, not to some platonic ideal, but to our way of expressing it.” Ana Menéndez on being a multilingual writer in the twenty-first century.
“Dear Marlon, I’m praying that you’ll buy ON THE ROAD and make a movie of it….You play Dean and I’ll play Sal… I’ll show you how Dean acts in real life, you couldnt possibly imagine it without seeing a good imitation…” From a letter from Jack Kerouac to Marlon Brando. (via The Rumpus)