The number of options presented to people dating today can be overwhelming and sometimes weird. Alexandra Kleeman’s debut novel You Too Can Have a Body Like Mine touches on this subject, posing “questions about wanting and having and bodies and food and sex that often arise in discussions about how people date today.” Natasha Lewis reviews the book in The New Republic.
There are three kinds of readers of David Foster Wallace’s Infinite Jest: those who feel some niggling guilt about that brick on their bookshelf, those who’ve read it (proudly) but secretly may have no idea what happened in that tangled ending, and the people responsible for this excellent infographic. (Complement with cached commentary at Infinite Summer and a guide to the geography of Wallace’s Boston.)
New this week: The Circle by Dave Eggers; Dirty Love by Andre Dubus III; How to Read a Novelist by former Granta editor John Freeman; Solo, a new James Bond novel by William Boyd; and “the first in-depth overview of Wes Anderson’s filmography” by the New York Magazine TV critic Matt Zoller-Seitz.
Students at the University of California Santa Barbara, Rutgers, Oberlin, and others have been requesting “trigger warning” labels on literature from The Great Gatsby to Huck Finn. In The Guardian, University College London Professor John Mullan snipes, “You might as well put a label on English literature saying: warning – bad stuff happens here.”