The number of options presented to people dating today can be overwhelming and sometimes weird. Alexandra Kleeman’s debut novel You Too Can Have a Body Like Mine touches on this subject, posing “questions about wanting and having and bodies and food and sex that often arise in discussions about how people date today.” Natasha Lewis reviews the book in The New Republic.
When street art and literature combine: on "The Moving, Playful Poetry of the World's Textual Graffiti Artists," from Slate.
The Scottish poet Robert Burns’s “Address to a Haggis” might well be the most famous ode to a food product in the English canon. At The Paris Review Daily, Sadie Stein celebrates Burns's birthday by reflecting on the poem, which starts off by describing haggis as the “chieftain of the pudding race.”
This review of Paul Murray’s newest novel, The Mark and the Void, praises Murray for his biting, weapons-grade one-liners and calls it “the funniest book ever written about the international banking system.” Here’s a link to our own, particularly hilarious interview with Murray.
Is “literary” fiction just a product of clever marketing? Elizabeth Edmondson thinks it is. At The Guardian, she argues that classically literary authors like Jane Austen had no idea they were writing Literature -- posterity classified their work as such later on. Her essay dovetails nicely with our own Edan Lepucki's argument that literature is a genre.