Most of our discussions about changing the canon revolve around adding onetime marginalized writers. But there’s a flipside to this — who do we need to eject? In a Bookends column for the Times, James Parker and Francine Prose pick greats that are no longer great.
A Bit Rusty
All That
Last week, I pointed readers to a speech by the late James Salter, reprinted by The Paris Review Daily in tribute to the writer after his death. For a fan appreciation, you can read Kevin Lincoln in Hazlitt, who leads his piece with the observation that Salter “wrote sentences you could unfold into paper lanterns.” Pair with our own Sonya Chung’s review of Salter’s All That Is.
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Ponyboy Breaks Into Song
A musical adaptation of S.E. Hinton's The Outsiders is scheduled to debut in Chicago this summer, directed by Liesl Tommy and written by Adam Rapp.
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Salon Culture 2.0
Though Franzen would surely argue (in great excess of 140 characters) to the contrary, the excellent introductory essay from the latest issue of N+1 lauds Twitter for “the very last thing to have been expected from the internet: a renovation of the epigram or aphorism, a revaluation of the literary virtues of terseness and impersonality.”
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Hunger Games Madlibs
Happy Hunger Games! To celebrate the release of Catching Fire, read Ben Blatt’s textual analysis of the most popular adverbs, adjectives, and sentences used by Suzanne Collins in The Hunger Games trilogy, Stephenie Meyer in Twilight, and J.K. Rowling in the Harry Potter series. Unsurprisingly, the most popular sentence in Twilight is, “I sighed.” We’re sighing, too. Pair with: Our essay on how teen fantasy heroines need to grow up.
Hawthorne and Melville
“Melville fell in love with the dashingly handsome older author the first time they met, and his forbidden passion drove him to create the symbol of impossible longing that now represents American literature to the rest of the world: the white whale.” On Herman Melville’s love for Nathaniel Hawthorne. Pair with a review of Hawthorne’s The Marble Faun.
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