Apparently the confessional poets hated being known as confessional poets. Writers like John Berryman and W.D. Snodgrass responded badly when given the label. How do we understand their shared revulsion to the term? At The Paris Review Daily, an argument that we can find the answer in an unlikely place: The Twilight Zone.
We might mock romance readers for how much Kleenex they go through, but they're more emotionally perceptive than others. A new study on the interpersonal sensitivity of readers found that romance readers are better at discerning facial cues and emotion than other literati. But don't worry if you aren't a Nicholas Sparks fan; reading any genre makes you more empathetic, as we've reported on before.
Last week Konstantin Kakaes — whose new book The Pioneer Detectives is our latest Millions Original — led a discussion on "how scientists search for truth and how that search isn't always straight-forward." You can catch a broadcast of that discussion tonight on BookTV at 7:30 PM.
Christine Sismondo believes bars deserve more credit for "produc[ing] a particular type of public sphere in colonial America." She discusses her new book America Walks Into a Bar with The Smithsonian's Rebecca Dalzell.
Michele Filgate was so terrified by Dave Eggers's The Circle that she quit social media for a week and wrote about the experience for Salon. "I don’t want to become like Mae, sacrificing real-life friendships for the allure of the screen. I want to be aware of the world around me. I want to write about that world. I want to feel more alive, even if that means being lonelier in the process." Pair with: our review of the novel.
In this week's New York Times Magazine, a collaboration with ProPublica has produced a 13,000-word (!) article on what happened at New Orleans Memorial Medial Center where a number of patients died in the aftermath of Hurricane Katrina. Who says long-form journalism is dead!