How do women write about the apocalypse? Sloane Crosley considers, referencing work from Mary Shelley, P.D. James, Laura van den Berg and our own Emily St. John Mandel. Pair with these Millions interviews with van den Berg and Mandel. Unfortunately, Mary Shelley was unavailable for comment.
What happens when two magazine writers publish stories on the same topic within a month of each other? We get to read some of the best long-form journalism of the year. Both Esquire’s Chris Jones and The Washingtonian’s Garrett M. Graff wrote about what it was like to be on Air Force One after the Kennedy assassination. Jones’ “The Flight From Dallas” hits 7,600 words, but Graff’s “Angel is Airborne” totals 18,000. Save some time to read both because they’re equally gripping and uniquely told narratives.
“Eventually, the judicial bureaucracy begins to seem almost as destructive as the rapist.” Domenica Ruta writes on Emily Winslow’s Jane Doe January and Joanna Connors’ I Will Find You, two books that probe our culture’s failure to address sexual violence. Pair with a piece on poetry as a response to sexual violence.
Following the news that The Simpsons will now be available for online streaming for the first time, Myles McNutt makes the case that the world needs a Simpsons Clip Database. He justifies his sentiment by pointing out that “in a world where Simpsons references are a language for a certain generation, the ability to stream this content has tremendous value, and could push use of an app that otherwise would struggle to compete with services like Netflix.”
New York Times travel editor Monica Drake recounts visiting Antigua after reading Jamaica Kincaid’s A Small Place—a sharp critique of tourism and the colonialist narrative around the island. As she puts it, “For all the drama of its history, […] the beauty of the place, the very thing that bewitches its tourists, renders it a time capsule to its residents.”