How do women write about the apocalypse? Sloane Crosley considers, referencing work from Mary Shelley, P.D. James, Laura van den Berg and our own Emily St. John Mandel. Pair with these Millions interviews with van den Berg and Mandel. Unfortunately, Mary Shelley was unavailable for comment.
New this week: 4321 by Paul Auster; The Animators by Kayla Rae Whitaker; Mr. Iyer Goes to War by Ryan Lobo; The Man Who Never Stopped Sleeping by Aharon Appelfeld; and The Evenings by Gerard Reve. For more on these and other new titles, go read our most recent book preview.
Crime novelist Sue Grafton passed away earlier this week from cancer. Lit Hub and Vulture both have touching tributes to her and her detective series starring Kinsey Millhone. “Grafton belonged to a cluster of female authors who viewed the private-detective subgenre, previously dominated by Dashiell Hammett, Raymond Chandler, and Grafton’s own hero, Ross Macdonald, in desperate need of subverting” and “The annual release of her latest Kinsey Millhone novel was, for generations of devotees, one of the year’s premier literary events. ” Rest in peace Ms. Grafton.
Time to dust off the old John Irving Recurring Themes Matrix because his new book In One Person is out today. Also out are Home by America’s last Nobel Laureate Toni Morrison and Bring Up the Bodies, Hilary Mantel’s hotly anticipated sequel to Booker- and Rooster-winning Wolf Hall. Also out is I Am a Pole, Stephen Colbert’s “children’s book” that was inspired by an epic visit from Maurice Sendak. Out in paperback is Ann Patchett’s State of Wonder.
“When Leonard Riggio bought Barnes & Noble in 1971, it consisted of a single struggling store in Manhattan. Over time, with swagger and an unwavering belief in the value of physical bookstores, he turned it into the country’s largest bookselling chain.” Riggio, founder and executive chairman of B&N, announced yesterday that he will be stepping down in September. Let our own Janet Potter take you through a history of her love for bookstores.
Year in Reading alumna Ottessa Moshfegh has a new story in this week’s issue of the New Yorker, titled “The Beach Boy.” Moshfegh also spoke with Deborah Treisman about her writing: “Isn’t it hilarious when people are blind to their own arrogance? For some, no amount of American liberal-arts education, charitable contributions, or hours spent listening to NPR will ever wake them up to their own privileged, bigoted, and classist attitudes. […] One might say that New Yorkers like the folks in ‘The Beach Boy’ are especially susceptible to the kind of stupidity I love to write about—the stupidity of entitlement.”