How do women write about the apocalypse? Sloane Crosley considers, referencing work from Mary Shelley, P.D. James, Laura van den Berg and our own Emily St. John Mandel. Pair with these Millions interviews with van den Berg and Mandel. Unfortunately, Mary Shelley was unavailable for comment.
It’s rare that a writer decides his new novel will be his last, but that’s exactly what Michael Faber has done with regards to his latest, which comes out this week. In the Times, he talks with Alexandra Alter about his decision, saying: “I felt that I had one more book in me that could be special and sincere and extraordinary, and that that would be enough.” It’s probably a good time to read our own Bill Morris on the history of literary retirements.
The folks at BookRide, the blog of London’s beloved antiquarian bookstore Any Amount Books, have published a handy set of guidelines for curmudgeonly booksellers. When Kyo Maclear visited The Monkey’s Paw in Toronto, it would seem that they had yet to stumble upon this code of curmudgeonly conduct.
When I was a kid, I read the whole Little House series by Laura Ingalls Wilder and never thought about it being “for girls.” At Slate, Emily Bazelon writes about why it’s wrong that “the conventional educational wisdom holds that boys don’t like to read about girls.”The New York Public Library’s 25 Books to Remember from 2005 (via Conversational Reading)It’s Perfectly Normal, a sex education book by Robie H. Harris tops the American Library Association’s list of 10 Most Challenged Books of 2005. Also on the list: The Catcher in the Rye and the Captain Underpants series.The Ten Worst Autobiographies as listed by The Independent. Not sure where else you’d find Hillary Clinton, James Frey and Hitler on the same list. (via Books Inq.)A New Orleans resident auctions off a bunch of “first-edition books, handwritten manuscripts and letters by Beat Generation writers” to raise money for Jon and Gypsy Lou Webb who published some of Charles Bukowski’s earlest works and were left homeless by Hurricane Katrina.
What is creepypasta, and what does it have to do with the future of literature? According to this blog post on the Twitter Fiction Festival, it’s a type of short horror fiction which, because it’s posted exclusively on the Web, occupies a similar place to Twitter fiction in the ranks of new literary genres. If you want to learn more about Twitter fiction, you could read our own Elizabeth Minkel on the nascent art form.