What’s the Point
The Enemy has arrived
Last January, Charlie White launched The Enemy, a new online journal published thrice annually that “invites writers, artists, academics, and activists to present essays and projects outside the mainstreams of their practices and disciplines.”
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New Chabon Story
Recommended reading: A new short story from Michael Chabon is now available from Tablet.
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The Internet v. Writing
It’s hard to write when the internet beckons. So has said Dani Shapiro and our own Emily St. John Mandel. Colson Whitehead doesn’t necessarily agree, however. Ditto for our own Kevin Hartnett. Now the folks at Electric Literature have thrown in their two cents.
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The CIA Supports the Practice of Good Grammar
“’There is absolutely no truth to this allegation [that the CIA is trying to remove ‘ë’ from the Russian alphabet],’ the spokesperson told the Wall Street Journal. ‘The Agency supports the practice of good grammar and pronunciation in any language.’”
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Slanting Light and Seedy Motels
“In noir, the problem is not an individual: the problem is the world.” Over at Electric Literature, Nicholas Seeley advocates for the efficacy of noir as a protest genre. Here’s a piece from The Millions’s Hannah Gersen that argues for Bartleby, The Scrivener as another surprising example of protest literature.
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Choose Your Own Apocalypse: Skynet or Stingrays
With the help of Our Final Hour author Martin Rees, Cambridge will soon open a Centre for the Study of Existential Risk. The Centre will investigate the threats posed by “artificial intelligence, climate change, nuclear war and rogue biotechnology.” To my ears, this sounds an awful lot like Oxford’s Future of Humanity Institute, which was memorably depicted in John Jeremiah Sullivan’s “Violence of the Lambs.”
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