Out this week: The Small Backs of Children by Lidia Yuknavitch; The Woman Who Stole My Life by Marian Keyes; The Hand that Feeds You by A.J. Rich; Among the Ten Thousand Things by Julia Pierpont; Vanishing Games by Roger Hobbs; The Last Pilot by Benjamin Johncock; Speak by Louisa Hall; The Way Things Were by Aatish Taseer; The Invaders by Karolina Waclawiak; Pretty Is by Maggie Mitchell; You Don’t Have to Live Like This by Benjamin Markovits; French Concession by Xiao Bai; The Captive Condition by Kevin P. Keating; and the paperback edition of our own Edan Lepucki’s California. For more on these and other new titles, check out our latest book preview.
On the NY Daily News' Page Views blog, Alexander Nazaryan writes about the Westminster Kennel Club Dog Show's most neglected -- yet also most literary -- member breed: the dachshund. "No dog," Nazaryan writes, "has been more widely loved by writers and artists than the dachshund." Comedian Streeter Seidell agrees that the dachshund was slighted, and calls for a "fan favorite" award next year.
Whether or not you believe that Oxford University Press is “the largest, most diverse and most respected university press in the world,” you’ll appreciate this review of a new history of the company, which goes through OUP's origins, its relationship with its namesake and the opening of its New York office in 1896.
Photographer Doug Rickard employs an interesting technique for his “A New American Picture” series: Google Street View. Check out the shots he took while he “virtually [drove] the unseen and overlooked roads of America, to find bleak places that are forgotten, economically devastated, and abandoned.”
Nicole Chung interviews Amy Tan about her new memoir Where the Past Begins: A Writer’s Memoir, one of the highlights is when Tan ponders being one of the 'first' authors that people name/read when they think of Asian-American literature. "But when ["The Joy Luck Club"] came out, it did feel like there were many expectations from all areas — not just in the Asian American community, but in Asian culture itself, and in any ethnic studies community. There were people who said 'At last!' and there were people who said 'How dare she?' [...] I wanted to say: I’m not writing sociology, it just so happens this is what happened in my own family."