A while ago, our own Kaulie Lewis alerted readers to The Turnip Princess, a new collection of previously untranslated Bavarian fairy tales. In the latest issue of The New York Review of Books, Marina Warner reads a new edition of the original stories of the Brothers Grimm, comparing them to the most well-known stories in the fairy tale canon (as well as the stories in The Turnip Princess).
True Originals
Calvin!
“Calvin and Hobbes is certainly not a text about queerness, yet when I returned to it at this altered point in my life, the strip suddenly seemed to describe things that resonated with me now: what it was like to live in a world where expressing your realest self is so often penalized, and the value of finding a second family, a close friend or friends, if your blood family fails to understand or accept the truest version of you.” Gabrielle Bellot at The Literary Hub explains why Calvin and Hobbes is great literature.
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Art Beyond America
Ever wonder what vintage Indian pulp book covers would look like? How about Czech movie posters from the 1970’s? Maybe Belarusian movie posters circa 2007?
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Outline Obsession
Writers are told that they should outline their work. Elizabeth Gilbert has outdone us all by writing a 70-page outline for The Signature of All Things. “I have no German Romantic idea about work. There’s no fugue state, you know? I could no more write at 3 a.m. than I could with a quill pen. I keep farmer’s hours and I have that sort of plotting and plodding way,” she told The Daily Beast.
You Do the Math
This week we learned Gary Shteyngart is at work on a memoir. This week is also when the annual Dachshund Spring Fiesta takes place in Washington Square Park. Has viral marketing reached its nadir?
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The Poetics of K-Pop
"In poetry, I realized again and again that 'failures' were in fact openings to more possibilities." Emily Yoon reflects on the poetic consequences of K-Pop for the Paris Review.
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Book of Lies
Year in Reading alumnus Alexander Chee writes about the impulse to write fiction, his first novel, and unpublished manuscripts in an essay for the Center For Fiction’s Why Fiction Matters series. “The first story I ever invented for public consumption was in a book report back in grade school. I had made a vow to read every book in my grade school library, and at some point, as I made my way through them, I remember very clearly understanding that there was simply no way my teacher would know about every book ever published—this was before the Internet—and so I decided I would make one up and see if she noticed.” Pair with this Millions piece, featuring six writers looking back on their first novels.
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Madame Bovary, Say Wha?
Ruth Franklin rises to the defense of much-maligned (and newly retranslated) Emma Bovary.