A while ago, our own Kaulie Lewis alerted readers to The Turnip Princess, a new collection of previously untranslated Bavarian fairy tales. In the latest issue of The New York Review of Books, Marina Warner reads a new edition of the original stories of the Brothers Grimm, comparing them to the most well-known stories in the fairy tale canon (as well as the stories in The Turnip Princess).
The Paris Review and the 92nd Street Y have long collaborated on a series of onstage conversations with prominent authors. Now, these talks are going to be made available online as part of 92Y’s Poetry Center Online, and also on the Review’s website. Kicking off the first round of videos are talks with Garrison Keillor, Iris Murdoch, and William Styron. Look out in the coming months for more audio with the likes of Maya Angelou, Jamaica Kincaid, and Allen Ginsberg. (Bonus: 92Y has been adding heaps of content to its digital archive all month.)
When you think of Shakespeare’s plays, you probably think of the Globe Theatre. Yet for more than twenty years before the Globe was opened, the Curtain Theatre was the first home to such plays as Romeo and Juliet and Henry V. Unfortunately the place was closed and disassembled in the 17th century, and the location was presumed lost. Fast forward 400 years, however, and a team of East London excavators have finally uncovered a few of its sections.
“Reading is a type of reckoning with the self. That may sound like a simplistic platitude, but platitudes exist only because they are true, our self-serving intellectual mirrors be damned.” Cher Tan shares a lifetime’s reading history with Catapult, tracing her trajectory from “[k]eeping up with the boys” during high school to this past year, in which she made a personal pact to read only books written by people of color. Pair with our own Nick Ripatrazone in conversation with six authors on their childhood reading.
In 1992, William Gibson published Agrippa, a poem coded on a floppy disk such that after one reading it would destroy itself forever. Quinn DuPont, a PhD student studying cryptography, built an emulation of the self-destructing poem and has a challenge to cyberpunks and cryptographers: be the first person to crack the poem’s code and win a copy of every one of Gibson’s books ever published.