As part of their Literary Ladies Cage Fight series, The Butter pitted two of Shakespeare’s most well-known characters against each other, staging contests between Hamlet’s Ophelia and Romeo and Juliet’s Juliet. Who won, you ask? Only one way to find out. You could also read Stefanie Peters on women and Shakespeare’s plays.
Tragedians
Murakami on the Stage
A surreal theater production of Haruki Murakami’s Kafka on the Shore, directed by Yukio Ninagawa, premiered at the Lincoln Center Festival in July. Ian Buruma writes for the NYRB about the marriage of tradition and modernity, and Western and Eastern references in the play. As he puts it, “even without traditional references, the production—perhaps more than Murakami’s novel—is still unmistakably Japanese: stylized, poetic, comical, violent, full of spectacular effects, and often exquisitely beautiful to look at. The setting jumps at lightning speed from a bus station, to a library, to a sleazy bar area. Various characters emerge and disappear, like memories or scenes from a dream, in an assortment of moving transparent boxes.”
Famous Authors’ Pseudonyms
At The Washington Post, Tawny Tipples (not his real name) takes a look at famous authors’ pseudonyms, and why modern writers continue to hide behind them. (via Book Bench)
Art & Illness
At the Guardian, Brian Dillon writes about great creative minds who had fertile imaginations for the maladies that befell them.
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Emily Dickinson, Harvard-Bound
Seth Perlow examines how Harvard claims the rights to Emily Dickinson's poems, a body of work that was unpublished when she died, more than 130 years ago.
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Carving Out a Legacy
Recommended Reading: On Raymond Carver’s birthday, his brother James stopped by Electric Literature to share his memories of what it was like growing up with the man behind such works as Will You Please Be Quiet, Please and What We Talk About When We Talk About Love.
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Heineken Price is Going to Double
“A classic hustler and survivor … a type who never starts revolutions but who always figures out how to benefit from whatever the New Order is.” Some dispatches from a punk tour of the Balkans by Franz Nicolay, who may or may not be an asshole, big time.