“This is a huge generalization, but [American novels] have tended not to have all the elements that make it good for television, whether it’s too interior or there’s not enough action. The Brits tended to write more colorful stories rather than the darkness and struggle. Dickens and Trollope certainly knew how to write sequels, books that would make good ongoing series again and again. And the greatest love stories are in the Wuthering Heights and Pride and Prejudice. I don’t know what our equivalent is.” In a piece for The Atlantic Spencer Kornhaber wonders, “Is American Literature Too Dark for TV?“
What happened to the literature of clothing? Writers like Balzac and Proust wrote philosophies of clothing, but nowadays there seems to be a wall between literary writing and fashion. In Public Books, Mary Davis reads Women in Clothes, a collection which reveals a lot about how much our views of fashion writing have changed. FYI, Rachel Signer reviewed the book for The Millions.
At the New York Times, Elif Batuman has a long and absorbing article on the trial over Kafka’s manuscripts: “It’s impressive that [Kafka’s] sisters had between them four lawyers, although, to put things in perspective, Josef K. at one point meets a defendant who has six.”