“This is a huge generalization, but [American novels] have tended not to have all the elements that make it good for television, whether it’s too interior or there’s not enough action. The Brits tended to write more colorful stories rather than the darkness and struggle. Dickens and Trollope certainly knew how to write sequels, books that would make good ongoing series again and again. And the greatest love stories are in the Wuthering Heights and Pride and Prejudice. I don’t know what our equivalent is.” In a piece for The Atlantic Spencer Kornhaber wonders, “Is American Literature Too Dark for TV?“
In case you missed it, this past weekend The New York Review of Books likely outed the author who's been writing under the nom de plume of Elena Ferrante. Condemnation was fast and furious, including pieces by n+1 and this fantastic Twitter thread by critic Lili Loofbourow. We join the chorus of voices who would rather direct the attention back to Ferrante's work. Might we suggest starting with this piece about The Neapolitan Quartet's subversive power?
In October 2011, Hannah Gersen convincingly argued that the Occupy Wall Street protests bore more than a few similarities to Bartleby, The Scrivener. Now, amid the political demonstrations going on throughout Turkey, Millions contributor Kaya Genç draws a similar parallel between Istanbul’s “Standing Man” and Herman Melville’s famous protagonist.
Fox Books has filed for Chapter 11 bankruptcy, The Onion reported. But in reality, Barnes & Noble is facing some big problems, which inspired Michael Agger to write a thank you note to the troubled bookstore. "Going to Barnes & Noble became a Saturday afternoon. It was as if a small liberal-arts college had been plunked down into a farm field."
Have you ever wondered what a book would look like only with punctuation? At Medium, Adam J Calhoun analyzes the punctuation in a few famous novels, complete with graphs for your viewing pleasure. For more punctuation, you could read our piece on the interrobang.