“This is a huge generalization, but [American novels] have tended not to have all the elements that make it good for television, whether it’s too interior or there’s not enough action. The Brits tended to write more colorful stories rather than the darkness and struggle. Dickens and Trollope certainly knew how to write sequels, books that would make good ongoing series again and again. And the greatest love stories are in the Wuthering Heights and Pride and Prejudice. I don’t know what our equivalent is.” In a piece for The Atlantic Spencer Kornhaber wonders, “Is American Literature Too Dark for TV?“
U.S. publishing house Little, Brown had a rough day in the news yesterday. Its coy marketing tactics have rubbed some booksellers the wrong way, reports Julie Bosman for The New York Times. Later on, The New York Post‘s Keith J. Kelly noted that the publisher has dropped one of its bigger titles. Jason Bennett raises some additional questions.